Answer:
18. The grid lines point to a Grid North, varying slightly from True North. This variation is smallest along the central meridian (vertical line) of the map, and greatest at the map edges. The difference between grid north and true north is very small and for most navigation purposes can almost always be ignored.
19. Most military maps will display the declination diagram in the lower margin. Some maps may not display the declination diagram and will only list the declination information as a note in the map margin. The G-M angle value is the size of the angle between grid north and magnetic north.
20. Must be oriented
Oh and "EVERYONE IT IS TIME TO RISE UP AND TAKE DOWN THE MODS. I had only had my account for six days and it got removed. If you are tired of your answers always getting taken down copy this question and post it as many times as you can. We will NOT stand for this. If you get banned make another account. If they take down your question post it again. Mods, listen to me and listen well WE HAVE HAD ENOUGH."
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ok I'm done
1: true
2: true
3: true
4:true
5: false, atmospheric perspective does add a sense of depth.
Yes. sometimes you might look at it for a little bit but you don’t pay attention to the little details. the longer you look you find other stuff.
Answer:
setting, plot, characters, conflict, and theme
Explanation:
The Scream is a work of remembered sensation rather than perceived reality. Munch’s approach to the experience of synesthesia, or the union of senses (for example the belief that one might taste a color or smell a musical note), results in the visual depiction of sound and emotion. As such, The Scream represents a key work for the Symbolist movement as well as an important inspiration for the Expressionist movement of the early twentieth century. Symbolist artists of diverse international backgrounds confronted questions regarding the nature of subjectivity and its visual depiction. As Munch himself put it succinctly in a notebook entry on subjective vision written in 1889, “It is not the chair which is to be painted but what the human being has felt in relation to it.” While such events and objects are visually plausible, the work’s effect on the viewer does not depend on one’s familiarity with a precise list of historical, naturalistic, or formal sources. Rather, Munch sought to express internal emotions through external forms and thereby provide a visual image for a universal human experience.
https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/munch-the-scream
