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son4ous [18]
3 years ago
15

At the turn of the century, the French Academy was divided rather sharply between two doctrines. One taught that form was the mo

st important element in the painting (Poussiniste) and the other taught that color was the most important element (Rubeniste). Which doctrine did the Rococo artist follow?
Arts
1 answer:
saveliy_v [14]3 years ago
3 0

Answer:

Doctrine of color

Explanation:

Rococo artists was famous for rapid brushwork often finishing paintings within an hour. It stresses main arts only, uses mirrors and reflections to blur and create a world of dream, totally free and asymmetric in style with irregular lines and contours usually mundane or palace life scenes depicting the persuit of pleasure and leisure time of the wealthy.

As the  the French Academy was divided rather sharply between two doctrines. One taught that form was the most important element in the painting (Poussiniste) and the other taught that color was the most important element (Rubeniste), the rococo artist follow <u>doctrine of color.</u>

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A study of African art history indicates the earliest sculpture forms found come from Nigeria and are dated around 500BC. However, the lack of archaeological excavations inhibits knowledge of the antiquity of African art and the sheer disposable nature of the raw materials used in the creation of art objects means that an untold wealth of pieces have disintegrated in time.

Compounding this, as these objects were not coveted as aesthetic accomplishments by the indigenous communities who created them, no effort was made to preserve them. Often their value was negligible once their function was performed.

Foreign colonisation of most countries in sub-Saharan Africa took place from 1840 onwards and different values became omnipresent. A lot of African art was acquired for curious means by travellers, traders and missionaries in the century before and left the continent. Colonialists most often did not give indigenous art the merit and attention it deserved and thereby African art history was not preserved or documented.

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Africa must have lost uncountable pieces of art that would have been lost on the wayside of migratory existence.

Explanation:

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