Piet Mondrian was a modern graphic designer and was also a leading de Stijl artist
Answer:
Roll a small ball of clay about the size of a clementine orange.
HOW TO MAKE A CLAY PINCH POT – Form, Texture - Step Two
Step Two
Hold the ball in one hand.
Slowly push your thumb into the centre of the clay.
HOW TO MAKE A CLAY PINCH POT – Form, Texture - Step Three
Step Three
Gently pinch the clay between your thumb on the inside, and your fingers on the outside while slowly turning the ball of clay in your hand.
HOW TO MAKE A CLAY PINCH POT – Form, Texture - Step Four
Step Four
Apply even pressure as you turn the clay.
Check to see that the clay is the same thickness on the walls and rim of the pot.
HOW TO MAKE A CLAY PINCH POT – Form, Texture - Step Five
Step Five
Gently tap the pot on the table to make a flat base.
HOW TO MAKE A CLAY PINCH POT – Form, Texture - Step Six
Step Six
DECORATE THE POT
Explanation:
This could be her saying that everyone is thinking of the future and not the present
<span>I believe the correct answer is “The Transfiguration
Mosaic at Sant'Apollinare in Classe” 6th century (year 549)</span>
“The Transfiguration Mosaic at Sant'Apollinare in
Classe” is a mosaic which represents the decoration of the apse of Basilica of
Sant' Apollinare in Classe, dating to 6th century. The mosaic can be divided
into two parts:
1. Crux Gemmata (jeweled cross with engraved picture
of transfigured Jesus Christ and his followers)
2. Saint Apollinaris praying to the God in a green
valley with rocks, bush, plants and birds.
This artwork has many Biblical symbols. It
represents the transfiguration of Jesus Christ, a complete change of form or
appearance into a more beautiful or spiritual state, under the Hand of God. On
the sides of the arch are shown palms and under them are the archangels Michael
and Gabriel. These symbols represent justice. Under them, figure of Saint
Apollinaris is portrayed in the act of praying God to give grace to his
faithful. He is surrounded by 12 white lambs which symbolize 12 Apostles.
In Early Byzantine art, every color had a symbolic
meaning complementing the religious scene. In this mosaic the colors used are:
gold (representing the radiance of God), red (representing love), green (the
color of nature, life) and blue (everlasting world, heaven).
