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ohaa [14]
3 years ago
7

Put benefit in complex or compound sentence

English
2 answers:
Rashid [163]3 years ago
5 0
If he married her, wouldn't he BENEFIT from any inheritance in the future?
stellarik [79]3 years ago
3 0
<span>Sentence structures could be simple (one independent clause), compound (two independent clause with coordinating conjunction), complex (a subordinate & independent clause) and compound-complex sentences (subordinate & two independent clause). These include clauses, conjunctions, coherence and balance and even to the number of words you use in your subject and predicate. The benefit of complex or compound sentences is that it could give you more explanation on the subject or topic of the sentence. This gives you a much more understanding on what the sentence is trying to portray or to message to give.</span>
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What is the main idea of The R*pe of the Lock? How does the structure of the poem affect the main idea?
Alex Ar [27]

the R*pe of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on a real incident among families of his acquaintance, Pope intended his verses to cool hot tempers and to encourage his friends to laugh at their own folly.

The poem is perhaps the most outstanding example in the English language of the genre of mock-epic. The epic had long been considered one of the most serious of literary forms; it had been applied, in the classical period, to the lofty subject matter of love and war, and, more recently, by Milton, to the intricacies of the Christian faith. The strategy of Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The R*pe of the Lockunderscores the ridiculousness of a society  in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The society on display in this poem is one that fails to distinguish between things that matter and things that do not. The poem mocks the men it portrays by showing them as unworthy of a form that suited a more heroic culture. Thus the mock-epic resembles the epic in that its central concerns are serious and often moral, but the fact that the approach must now be satirical rather than earnest is symptomatic of how far the culture has fallen.

Pope’s use of the mock-epic genre is intricate and exhaustive. The R*pe of the Lock is a poem in which every element of the contemporary scene conjures up some image from epic tradition or the classical world view, and the pieces are wrought together with a cleverness and expertise that makes the poem surprising and delightful. Pope’s transformations are numerous, striking, and loaded with moral implications. The great battles of epic become bouts of gambling and flirtatious tiffs. The great, if capricious, Greek and Roman gods are converted into a relatively undifferentiated army of basically ineffectual sprites. Cosmetics, clothing, and jewelry substitute for armor and weapons, and the rituals of religious sacrifice are transplanted to the dressing room and the altar of love.

The verse form of The R*pe of the Lock is the heroic couplet; Pope still reigns as the uncontested master of the form. The heroic couplet consists of rhymed pairs of iambic pentameter lines (lines of ten syllables each, alternating stressed and unstressed syllables). Pope’s couplets do not fall into strict iambs, however, flowering instead with a rich rhythmic variation that keeps the highly regular meter from becoming heavy or tedious. Pope distributes his sentences, with their resolutely parallel grammar, across the lines and half-lines of the poem in a way that enhances the judicious quality of his ideas. Moreover, the inherent balance of the couplet form is strikingly well suited to a subject matter that draws on comparisons and contrasts: the form invites configurations in which two ideas or circumstances are balanced, measured, or compared against one another. It is thus perfect for the evaluative, moralizing premise of the poem, particularly in the hands of this brilliant poet

8 0
3 years ago
Anne tells Peter, “I still believe, in spite of everything, that people are really good at heart.” How does her attitude affect
timama [110]

Answer: It makes the ending more moving because Anne is the victim of evil.

Explanation:

I had a question like that last week or the week before and we went over it in class and my teacher said that was correct.

8 0
3 years ago
Ahhh i need help plz
Finger [1]

Answer:

i would say a

Explanation:

8 0
3 years ago
which phrase has the most negative connotation? A.)thickest of tamarisk B.) utter barrenness C.) flowing river D.) untamed color
neonofarm [45]
B) utter barrenness
8 0
2 years ago
Read 2 more answers
Read these lines from the poem "Facing It" by Yusef Komunyakaa:
marusya05 [52]

Answer: D. It compares the speaker's reflection to a predatory bird that haunts the speaker.

The simile is located in the following lines of the poem:

<em>My clouded reflection eyes me</em>

<em>like a bird of prey, the profile of night</em>

<em>slanted against morning. </em>

In these lines, we see that the author is comparing his reflection to a bird of prey. The implication is that both haunt him, and do not let go of him.

8 0
3 years ago
Read 2 more answers
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