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Delicious77 [7]
3 years ago
15

What are some examples of synecdoche in The Great Gatsby?

English
1 answer:
Valentin [98]3 years ago
5 0

What about Owl-Eyes who acts as the enhancement to the occular imagery in F. Scott Fitzgerald's "The Great Gatsby"? 

Having no real name, this character of synedoche acts as the eyes that perceive the truth about Gatsby.  For instance, when he is in the library at Gatsby's house during a party, he is surprised that the books are real and bound in real leather with actual pages; he has suspected that they, like Gatsby, would merely have the appearance of being genuine.  Also, in the last chapter, Owl Eyes is the only one of the party group to attend the funeral for Gatsby because, as he come "splashing" after Nick and Mr. Gatsby, he wants to meet the father and learn more about Jay Gatsby.  When he talks to Nick after the funeral, he remarks,

<span>'I couldn't get to the house.''Neither could anybody else.''Go on'...Why my God! they used to go there by the hundreds.'
</span>

Like the billboard that sits overlooking the Valley of Ashes, Owl Eyes sees and understands all.

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The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.

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<h3>Puritan Colony</h3>

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