Answer:
The Monotone Symphony March 9, 1960
On a clear night in March at ten pm sharp a crowd of one hundred people, all dressed in black tie attire, came to the Galerie International d'Art Contemporain in Paris. The event was the first conceptual piece to be shown at this gallery by their new artist Mr. Yves Klein. The gallery was one of the finest in Paris.
Mr. Klein in a black dinner jacket proceeded to conduct a ten piece orchestra in his personal composition of The Monotone Symphony, which he had written in 1949. This symphony consisted of one note.
Three models appeared, all with very beautiful naked bodies. They were then conducted as was the full orchestra by Mr. Klein. The music began. The models then rolled themselves in the blue paint that had been placed on giant pieces of artist paper - the paper had been carefully placed on one side of the galleries' wall and floor area - opposite the full orchestra. Everything was composed so breathtakingly beautifully. The spectacle was surely a metaphysical and spiritual event for all. This went on for twenty minutes. When the symphony stopped it was followed by a strict twenty minutes of silence, in which everyone in the room willingly froze themselves in their own private meditation space.
At the end of Yves' piece everyone in the audience was fully aware they had been in the presence of a genius at work, the piece was a huge success! Mr. Klein triumphed. It would be his greatest moment in art history, a total success.
The spectacle had unquestionable poetic beauty, and Mr. Kleins' last words that night were, "THE MYTH IS IN ART".
- M.Lewis -
Explanation:
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B. FALSE.</h2><h2>
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Because Survival floating can be done by anyone who's bad at swimming, Or who's good at swimming!
So, The answer will be "False."
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Answer:
Foreshortening
Explanation:
Foreshortening is the representation in drawing or painting of any human object or figure from the application of the laws of perspective. It is a technique of graphical representation, in which an object or distance seems shorter than it actually is. The objective of this technique is to produce the impression of three-dimensionality in the represented figure. The term derives from the Italian verb scorciare which means "shorten".
