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This simile is intended to create a tone of humor.
All of the Athenian's interjections become puns played off of the dialogue in "Pyramus and Thisbe" or off of each other's lighthearted criticisms of the play. Lysander here is comparing Quince's reading of the prologue to a person who does not know how to ride a difficult horse (jolty, not knowing where or how to stop). This sets up the tone for more jokes as the play within the play continues.
Answer:
to highlight the different ways Cinco De Mayo is celebrated. In the passage it talks about parties, festivals, and other celebrations for Cino de Mayo
Answer:
b. last winter we bought a snow blower.
Explanation:
Articles refer to a type of adjective, they demonstrate which noun is the subject of the sentence talking about. There are two types of articles: definite and indefinite articles. The second type direct to noun more generally. The indefinite articles are a or an. The an is used before singular count nouns beginning with a vowel (a, e, i, o, u) or vowel sound.
The indefinite articles are used when the reader does not know about a noun( place, person or thing) that is referring to. In an example, the readers do not know which type of snow blower is or any specifics about it.
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places: