Answer:
The statement is an unjustified implication because it implies that no other vitamins are important and that no preventive measures are effective if they lack vitamin C.
Explanation:
An unjustified implication is a statement that leaves messages implicit and implied. This type of statement ends up passing messages in indirect and subjunctive ways, related to the main message being spoken.
In the statement shown in the question above, the speaker places supreme importance on vitamin C, implying that other types of vitamins and preventive measures are inefficient.
At home, my mom was cooking diner. - Prepositional Phrase
<span>Getting your hair cut to a short, safe length</span><span>. - Gerund Phrase
</span>
<span>Eating ice cream on a windy day, is the best way for me to go to bed in time.</span>
Firm
Even though it is discussing a political decree, Lincoln isn't giving any room for argument, objection, or even discussion. He is very clear about what he intends to happen to the slaves and anyone who feels like rebelling against this decree, and stands firm in his voice and choice of words and phrases.
Answer:
B- Black artists to display pride in their heritage.
D- The artistic representation of African American experiences.
Explanation:
Alain Locke, (1886-1954), was a black American educator, writer, and philosopher, regarded as many as the father of the Harlem Renaissance.
His writing and illustrations were famous for encouraging African-American artists (writers, painters, sculptors, and musicians) to display pride in their heritage. He encouraged them to be inspired by Africa to express their identity; to set high standards for themselves and to portray their experiences in an artistic ways, for example the transformations of the inner and outer life of African-American that have taken place in the last years, their constant pursuit of seeking for equal civil rights, their position on society, among others.
Some of these works were "Harlem, Mecca of the New Negro", the periodical Survey Graphic (1925) and The New Negro: An Interpretation (1925).
