Explanation:
I think they is referring to the audience
Answer: B) Metaphor
Explanation: A metaphor can be simply defined as a figure of speech that compares actions or words that are not literally related but might share similar characteristics. It gives a hidden meaning or representation.
"The road to the mountains was a ribbon of moonlight",
The "road" and the "ribbons of moonlight" are literally unrelated because roads are neither ribbons nor ribbons of moonlight.
"Ribbons of moonlight" is only meant to give a hidden meaning or representation of the characteristic or nature of the road to the mountains.
So "Ribbons of moonlight" is a metaphor.
Venn diagram. Hope this helps!<span>A Venn Diagram is a </span>graphic organizer<span> that is made up of two or three overlapping circles. In mathematics, Venn diagrams are used to visualize the relationship between two or three sets. Venn diagrams can also be used to compare and contrast the characteristics of any other items, like groups of people, individual people, books, characters, animals, etc. The </span>English mathematician John Venn<span> invented the Venn diagram in 1880. </span>
Yes,I hate it so much lol
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
