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Lemur [1.5K]
3 years ago
12

Would 2020 & 2021 be considered the lgbtq years of history?

Arts
2 answers:
serg [7]3 years ago
6 0
Yes that is when the protest started my friend is gay so he would know
Ilia_Sergeevich [38]3 years ago
3 0

Answer:

yes, im one of them

Explanation: there is no explanation to this

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The ______ is a lute-harp, a type of chordophone common to the mandinka people of west africa.
noname [10]
The Kora is a lute harp common to west africa, hope this helps!
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3 years ago
If You Know These Songs You Are Probably Just Like Me
Alborosie

Answer:

tear stained glass

Explanation:

tear streaked face

5 0
2 years ago
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Select the correct answer
Andre45 [30]
I think it’s 48 but don’t quote me on that

convert the pounds to ounces then divide the oz by 4 (giving you 48) sorry if it’s incorrect tried my best xx

4 0
3 years ago
(Brainliest) Describe the timbre of each of the following instruments, being sure to explain the effect composers achieve by usi
-BARSIC- [3]

(You think you know about music, but then when you try to describe these intrinsic things, it becomes difficult! Ok, let me give this a stab!)

Saxophone : The sax has a floaty, more round timbre, as compared to something more direct like a clarinet. Its distinct reediness and tendency towards a rich vibrato give it a jazzy effect when composers use it in music, even in a non-jazz song like Ravel's Bolero.

Tuba : The tuba is the giant of the brass section, and it has a heavy, almost blatty timbre. It's not known for its agility, just for its reliable bassline, and incorporating tuba can give the music a polka-like effect or just a solid undertone in the low decibel region.

Banjo : The banjo is the earthy cousin to the guitar. Its timbre is best suited to folk music or peppy country songs because of the unique strum of each note.

Harp : The harp has an attack and sustain very similar to the piano, and its tambre is similar to a cross between a piano and a string pizzicato. That's how I like to think about it. Use of it in music gives it a dreamy quality, especially because of the massive scales harpists can pull off.

Xylophone: The timbre of the xylophone, as pitched percussion, carries through a section. If composers mean to include it, they had better be ready to have it dominate, because its clear attack and maintained tone will stand out.

8 0
3 years ago
Read 2 more answers
Name the 9 fundamental terms used to describe typefaces
MaRussiya [10]

(((((PLZ give me brainliest this took so long to do)))))) I did 11 so you could choose

01. Font/Typeface:

typography-terms-1

Back in the days of metal type and printing presses, fonts and typefaces were two different things — the typeface was the specific design of the letters, say Times New Roman or Baskerville; while the font referred to the particular size or style of that typeface, say 10 point regular or 24 point italic (each created as its own collection of cast metal letters and other characters). Today, however, many designers use the terms more or less interchangeably. The best and most straightforward modern definition I’ve run across (courtesy of Fontshop) goes as follows:

“A collection of letters, numbers, punctuation, and other symbols used to set text (or related) matter. Although font and typeface are often used interchangeably, font refers to the physical embodiment (whether it’s a case of metal pieces or a computer file) while typeface refers to the design (the way it looks). A font is what you use, and a typeface is what you see.”

02. Character:

typography-terms-2

An individual symbol of the full character set that makes up a typeface; may take the form of a letter, number, punctuation mark, etc.

03. Alternate Character / Glyph:

typography-terms-3

A non-standard (sometimes decorative) variation of a character that comes as an extra option with a font file.

04. Serif:

typography-terms-4

A short line or stroke attached to or extending from the open ends of a letterform; also refers to the general category of typefaces that have been designed with this feature.

05. Sans-Serif / Sans:

typography-terms-5

Literally “without line”; the general category of typefaces (or an individual typeface) designed without serifs.

06. Italic:

typography-terms-6

A slanted version of a typeface (slants from left to right); a true italic is uniquely designed, more than a tilted version of the upright (a.k.a. “roman”) typeface.

The Foundation: Positioning & Spacing

07. Baseline:

typography-terms-7

The imaginary line on which most letters and other characters sit.

08. Cap Line:

typography-terms-8

The imaginary line that marks the upper boundary of capital letters and some lowercase letters’ ascenders (see Ascender definition in the next section).

09. X-Height:

typography-terms-9

The height of a typeface’s lowercase letters (disregarding ascenders and descenders).

10. Tracking / Letter-Spacing:

typography-terms-10

The uniform amount of spacing between characters in a complete section of text (sentence, line, paragraph, page, etc.).

11. Kerning:

typography-terms-11

The horizontal spacing between two consecutive characters; adjusting the kerning creates the appearance of uniformity and reduces gaps of white space between certain letter combinations.

4 0
3 years ago
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