1. What character trait does Helena exhibit in these lines? - JEALOUSY
Helena expresses jealousy because she wants to catch Demetrius' eyes. Instead, she realizes that Demetrius' is in love with Hermia because of her dreamy eyes
2. What literary device does Shakespeare use to develop Helena's character?
- METAPHOR
Based on the lines, metaphor was used because Helena's character wishes to follow Demetrius likened to a dog (spaniel). Just like a dog, even if the master hurts or hits him, he will still remain loyal and true. Just like Helena's devotion to Demetrius.
3. what is most ironic about Lysander's last words before he falls asleep?
- Lysander tells Hermia that he hopes he dies before his loyalty to her ends. This is ironic because his loyalty will end as he sleeps when Puck does him with the love potion.
4. What is an example of dramatic irony is this Act?
-Bottom is unaware that his head has been transformed into a donkey's head. The audience knows that he has a donkey's head, but he has no idea!
Bottom thought that the other characters has been playing a trick on him so he cannot continue with his performance as Pyramus.
5. What do these lines reveal about Helena?
- She distrusts Demetrius and Lysander's feelings for her.
Helena has always considered herself inferior to Hermia. She knows that the one guy she likes is in love with Hermia. That's why she cannot trust her feelings when Lysander and Demetrius came courting her.
Stacy wanted to go to Suzy's house after school.
Answer: In the sixteenth century, Antinous Bellori, a boy of eleven, is lost in a dark forest and stumbles upon two glowing beings, one carrying a spear, the other a flaming torch . . . This event is decisive in Bellori’s life, and he thereafter devotes himself to the pursuit and study of angels, the intermediaries of the divine. Beginning in the Garden of Eden and soaring through to the present, A Time for Everything reimagines pivotal encounters between humans and angels: the glow of the cherubim watching over Eden; the profound love between Cain and Abel despite their differences; Lot’s shame in Sodom; Noah’s isolation before the flood; Ezekiel tied to his bed, prophesying ferociously; the death of Christ; and the emergence of sensual, mischievous cherubs in the seventeenth century. Alighting upon these dramatic scenes – from the Bible and beyond – Knausgaard’s imagination takes flight: the result is a dazzling display of storytelling at its majestic, spellbinding best. Incorporating and challenging tradition, legend, and the Apocrypha, these penetrating glimpses hazard chilling questions: can the nature of the divine undergo change, and can the immortal perish?
Explanation:
Answer:
D. This setting also influences Robert.
