Answer:
Power remains one of the crucial themes of <em>Macbeth</em>. The theme of power and ambition to gain it is evident in almost all the characters in the play - but primarily Macbeth himself.
At the beginning of the play, Macbeth has enough power - he is a good, brave soldier. Upon hearing the witches' prophecy, however, he realizes that it is not enough for him to be a soldier. By blindly following the prophecy and his wife's instructions, he becomes less powerful. Both the Three witches, and Macbeth's wife, therefore, have control over his life at this point. It is Lady Macbeth that convinces Macbeth to kill Duncan in order to become a king, even though Macbeth is clearly having second thoughts about it. At this point of the play, Macbeth's wife is more decisive and powerful than him.
When Macbeth kills Duncan and becomes the new king, he does develop power, but not for long. He begins to feel guilty because of the murder he committed. This reduces his power - he becomes weak, he hallucinates, and is unable to think rationally, which leads to his death. Macbeth's character, therefore, undergoes the phases of having enough power as a soldier, having less power when listening to his wife, having more power as a king, and eventually losing all his power and dying.
It might be useful to note that other characters (Macduff and Malcolm, for instance) might not seem that powerful at the beginning of the play, but gradually gain more power. They use their power only when they have to - Macduff uses it to revenge his wife and children, murdered by Macbeth. He is wiser and more modest. At the end of the play, Macbeth dies, and Macduff and Malcolm seize power.
In "the fun they had . " tommy finds a book. The book's pages are yellow and crinkly because it was an old book which excited nearly a 100 years ago when the books were printed in spite of being saved and shown in the television screen that tommy and Margie had.
Many critics believe that most the eighteenth-century was not a great age for English poetry. They suggest that the verse is second rate or inferior when compared to the verse of other eras. The poetry of this time, however has a distinct identity. It offers distinctive styles, themes, and theories. "On the whole, the literature of this period is chiefly a literature of wit, concerned with civilization and social relationships, and consequently, it is critical and in some degree moral or satiric" (Monk 1778).
Many different styles of poetry were used during this time period. Much eighteenth-century poetry is described as neoclassical. This was the major style used throughout the century. Writers used particular vocabulary, phrase formations, technical terms, and archaisms. John Dryden popularized this style in his late seventeenth-century poetry. Eighteenth-century poetry has an ". . . anomalous style . . . in which descriptive words, especially adjectives, verbs turned into adjectives, and long periodic passages of description predominate; action is at a minimum; wit and irony disappear" (Quintana 16). Other poetic styles made use of blank-verse, humanistic themes, odes, allegorical imagery, and descriptive styles.
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They can not support the main detail
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