The orthogonal lines in the work merge at the vanishing point. In a perspective drawing, the artist uses parallel diagonal lines which meet and diminish to a vanishing point. These lines are called orthogonal and create the perspective and a more realistic view. The vanishing point offers the painting a three-dimensional look.
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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False. The renaissance first came to flower in France.
<h3>
Did France see the emergence of the Renaissance?</h3>
It was initially employed in the eighteenth century, and French historian Jules Michelet (1798–1844) later made it widespread in his 1855 book, Histoire de France (History of France). Following his invasion of Italy in 1495, King Charles VIII brought the Italian Renaissance to France. The Italian city of Florence, whose affluent residents could afford to assist aspiring artists, was the birthplace of the Renaissance. Famous supporters of the movement included members of the influential Medici family, which governed Florence for more than 60 years. A cantus firmus is the name of the fixed melody that served as the foundation for complex polyphonic writing in the Renaissance.
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