Could we have some more information to answer this please
A.) professional
needing 20 characters is stupid... -.-
Answer:
Ruskin Bond (b. 1934) is an Indian author of children’s books. He did his schooling from Bishop Cotton School in Shimla. After completing his high school education, he went to United Kingdom for further studies. While in UK, and still only 17 years old, he began to write his first novel The Room on the Roof. Published in the year 1956, the novel won the John Llewellyn Rhys Memorial Prize in 1957. Bond used the advance from the novel to pay for his sea voyage back to India, where he settled down in Dehradun. Some of his most acclaimed works include Time Stops at Shamli (1989), The Ruskin Bond Children’s Omnibus (1995), Crazy Times with Uncle Ken (2011) and Tigers for Dinner: Tall Tales by Jim Corbett ’s Khansama (2013). In 1992, he won the Sahitya Akademi Award for his collection of essays Our Trees Still Grow in Dehra (1991). Today, he is the most famous author in India and lives in Landour, Mussoorie. Binya’s Blue Umbrella is an extract from Bond’s novel The Blue Umbrella (1980). Most of Bond’s works is set in the mountains. He is inspired by the beauty and innocence of the mountain life, a reason why he decided to settle down first in Dehradun and later in Landour. Bond weaves his stories around the simplest of things in life. In 2005, the Indian film-maker, Vishal Bhardwaj, adapted The Blue Umbrella into a film. It won the National Film Award for Best Children’s Film in 2007.
Explanation:
Answer would have to be B.
Answer:
Marco Antonio's approaches, like Brutus', aim to establish a direct conversation with the public. However, unlike Brutus, Marco Antonio's approach has a very strong emotional appeal.
Explanation:
At the beginning of Brutus' funeral speech, it can be observed that he uses an approach that establishes a direct conversation with the public, as if it were a conversation between confidants. With that Brutus wishes to reach the public's reasoning and has a logical appeal to make them agree with everything he says.
Marco Antonio, like Brutus, also wants the public's reasoning for his speech and therefore also establishes a simple language providing a direct conversation with the audience, but he does it differently. Marco Antonio wants to reach empathy, the emotional of the audience and we call companions, friends, to emphasize this.