Long, long ago there lived an old man and his wife who supported themselves by cultivating a small plot of land. Their life had been a very happy and peaceful one save for one great sorrow, and this was they had no child. Their only pet was a dog named Shiro, and on him they lavished all the affection of their old age. Indeed, they loved him so much that whenever they had anything nice to eat they denied themselves to give it to Shiro. Now Shiro means “white,” and he was so called because of his color. He was a real Japanese dog, and very like a small wolf in appearance. The happiest hour of the day both for the old man and his dog was when the man returned from his work in the field, and having finished his frugal supper of rice and vegetables, would take what he had saved from the meal out to the little veranda that ran round the cottage. Sure enough, Shiro was waiting for his master and the evening tid-bit. Then the old man said “Chin, chin!” and Shiro sat up and begged, and his master gave him the food. Next door to this good old couple there lived another old man and his wife who were both wicked and cruel, and who hated their good neighbors and the dog Shiro with all their might. Whenever Shiro happened to look into their kitchen they at once kicked him or threw something at him, sometimes even wounding him. One day Shiro was heard barking for a long time in the field at the back of his master’s house. The old man, thinking that perhaps some birds were attacking the corn, hurried out to see what was the matter. As soon as Shiro saw his master he ran to meet him, wagging his tail, and, seizing the end of his kimono, dragged him under a large yenoki tree. Here he began to dig very industriously with his paws, yelping with joy all the time. The old man, unable to understand what it all meant, stood looking on in bewilderment. But Shiro went on barking and digging with all his might. The thought that something might be hidden beneath the tree, and that the dog had scented it, at last struck the old man. He ran back to the house, fetched his spade and began to dig the ground at that spot. What was his astonishment when, after digging for some time, he came upon a heap of old and valuable coins, and the deeper he dug the more gold coins did he find. So intent was the old man on his work that he never saw the cross face of his neighbor peering at him through the bamboo hedge. At last all the gold coins lay shining on the ground. Shiro sat by erect with pride and looking fondly at his master as if to say, “You see, though only a dog, I can make some return for all the kindness you show me.” The old man ran in to call his wife, and together they carried home the treasure. Thus in one day the poor old man became rich. His gratitude to the faithful dog knew no bounds, and he loved and petted him more than ever, if that were possible. The cross old neighbor, attracted by Shiro’s barking, had been an unseen and envious witness of the finding of the treasure. He began to think that he, too, would like to find a fortune. So a few days later he called at the old man’s house and very ceremoniously asked permission to borrow Shiro for a short time. Shiro’s master thought this a strange request, because he knew quite well that not only did his neighbor not love his pet dog, but that he never lost an opportunity of striking and tormenting him whenever the dog crossed his path. But the good old man was too kind-hearted to refuse his neighbor, so he consented to lend the dog on condition that he should be taken great care of.
Answer: Autumnal equinox, two moments in the year when the Sun is exactly above the Equator and day and night are of equal length; also, either of the two points in the sky where the ecliptic (the Sun's annual pathway) and the celestial equator intersect.
It shows that Squeaky wants Raymond to also experience success.
Explanation:
According to a different source, the passage that should be included in this question is:
<em>"And I’m smiling to beat the band cause if I’ve lost this race, or if me and Gretchen tied, or even if I’ve won, I can always retire as a runner and begin a whole new career as a coach with Raymond as my champion. After all, with a little more study I can beat Cynthia and her phony self at the spelling bee. And if I bugged my mother, I could get piano lessons and become a star. And I have a big rep as the baddest thing around. And I’ve got a roomful of ribbons and medals and awards. But what has Raymond got to call his own?"</em>
In these lines, we learn that Squeaky does not deeply care about winning. Although she was absolutely determined to win before, taking a look at her brother allows her to reevaluate her skills and her running abilities. She realizes that she has a lot to be grateful for, and that winning is not the only thing that matters. Instead, she also cares about her brother Raymond and his success. This shows that she is a real champion, as she also cares about the feelings and experiences of other people.
The logical inference a person can make about the “good lesson” the narrator wants to teach the American artist is:
<u>He would have shown him how there was no freedom in China twenty years ago</u>
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According to the given question, the narrator says that the American artist is making unnecessary protests about having so little freedom.
This shows an irony that he does not appreciate the freedom he enjoys and feels he lacks freedom.
As a result of this, we can see that the logical inference we can make about the good lesson which he wants to teach the American artist is that he would show him how little freedom there was in China twenty years ago and how he enjoys freedom.
