The style of Southern song painter Ma Yuan is Evocative style of landscapes.
This work has neither signature nor seal of the artist, but has been traditionally attributed to Ma Yuan, who served as a Painter-in-Attendance in the reigns of Emperors Guangzong and Ningzong. He was one of the foremost painters of the evocative style of landscapes in the Southern Song.
Who is Ma Yuan?
Ma Yuan was an influential Chinese landscape painter of the Song dynasty whose work, together with that of Xia Gui, formed the basis of the Ma-Xia School of painting.
Ma Yuan came from a prominent painting family. His grandfather, father, uncles, and son all served in the imperial Painting Academy. His technique, like that of many contemporaries, was at first inspired by Li Tang. Eventually Ma Yuan developed a personal style, with marked decorative elements such as the pine. A characteristic feature of many paintings is the so-called “one-corner” composition, in which the actual subjects of the painting are pushed to a corner or a side. Ma Yuan’s lyrical and romantic interpretation became the model for many later painters.
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Choral music, music sung by a choir with two or more voices assigned to each part. Choral music is necessarily polyphonal consisting of two or more autonomous vocal lines. It has a long history in European church music Explanation:
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When some objects in a composition are partially hidden by others, it gives the effect of overlapping objects and creates the illusion of space and three-dimensionality. ... In landscape painting, layering the planes of the foreground, middle ground, and background lend to the illusion of space.
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