Answer:
C) Martha is a flat, static character whose role is to help Mary adjust to life in Yorkshire
Explanation:
I hope this works
Answer: ok and what is the question about it?
Explanation:
Answer:
The protagonist's cultural background allows her to accept the diversity of people in the country. That's because she lived in a culturally diverse house, since her father is Arab and her mother is American.
This ease in accepting diversity, also teaches her to be empathetic with people regardless of their struggles, since she recognizes that each has their own problems. This justifies her friendship with Hamadi and having an emotional comfort in him.of Susan and her friend whenever necessary. This cultural formation also makes him face the adverse situations of life with strength and resilience. You can see that when he says: “We go on. On and on. We don´t stop where it hurts. We turn a corner. It is the reason why we are living. To turn a corner. Come, let´s move. ”
Explanation:
Susan is the protagonist of the story and she grew up in a culturally diverse family, making her have a cultural background based on two cultures, which allows her to have a different, empathetic and supportive world view, even though it sometimes seems disinterested. Susan's cultural background allows her to be an easy person to befriend and to help her friends as much as she can, regardless of whether the problem is big or small.
Answer:
Number 4 would be the best answer.
Explanation:
Passing through each option, from a deductible, logical perspective:
- Number 3 cannot be concluded from the excerpt given.
- Number 1 could maybe be a possible answer, but can be dropped aside due to the fact that the speaker implies a certain level of pride to his statement, when he says that he has made the railroad 'race against time'. Hence, he would probably still want to keep building them!
- Number 2 is the one that is maybe best confused. As the conclusion 'Now it's done!' could very much either mean that all railroads have been completed, or that he hasn't found work anymore. This can be clarified by considering that he's talking about <em>a </em><em>railroad, </em>and that his whole speech has a certain emotional, almost poethical appeal to it. So the main point here isn't the general need for railroads, but rather the speaker's feelings and aflictions.
Actually, I think it is the one where the audience knows he will fail.
Dramatic Irony is when the audience knows something the reader does not.