Answer:
so,tell to the ghost open the door ok :)(
Basically its saying photography has become a bit too focused on the past - even if it’s the immediate past. Just take all that talk about, let’s say, how colour photography became an accepted part of art photography (you could also pick the New Topographics<span> or whatever else). And then re-read the quotes…
or saying </span> <span>Fitting in is a necessary, but not sufficient criterion.
Being new is not sufficient.
Popularity right now is not enough.
Someone liking the poem now is not enough.
Does a poem conform to the new times?
Is a poem individual and different?
These are coexisting requirements for a poem to be valuable.
>is a work of art that conforms completely really a work of art?
"Conforming", in the sense of forming the leadership for a new age.
Yes, conforming is a necessary, but not sufficient requirement for a poem:
"its fitting in is a test of its value–a test,"
>should contemporary works of art be judged as “better” or “worse” than past ones?
There is no way that new poems be as bad as old poems, or their canons.
"certainly not judged by the canons of dead critics."</span>
The theme of shifting attitudes, values and beliefs can be seen in To Kill a Mockingbird as Finch showed the Scout that it went only about beauty but about willpower, strength, and composure.
<h3>What is a theme?</h3>
It should be noted that a theme simply means the underlying message that's illustrated in the literary work.
In this case, the theme of shifting attitudes, values and beliefs can be seen in To Kill a Mockingbird as Finch showed the Scout that it went only about beauty but about willpower, strength, and composure.
Learn more about theme on:
brainly.com/question/11600913
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Answer:Shaw's play explores aspects of language in a variety of ways. Higgins and Pickering study linguistics and phonetics, taking note of how people from different backgrounds speak differently. In Act Three, we see the importance of proper small talk in a social situation. And the play also reveals some of the powers of language: Eliza's transformation is spurred simply by Pickering calling her by the name Miss Doolittle, while Higgins' insults and coarse language, which severely hurt Eliza's feelings, show the potential violence of language. The play is most interested, though, in the connections between a person's speech and his or her identity. As we see in the beginning of the play, Higgins can easily guess where people are from based on their accent, dialect, and use of particular slang. How different people speak the same language thus reveals a surprising amount about their identity. However, Shaw also exposes how shallow and imprecise this conception of identity is, how it doesn't actually capture or represent the full person. After all, Eliza's way of speaking transforms over the course of the play. Eliza is able to change her identity simply by learning to talk differently.
Explanation: