Destruction of European infrastructure from World War I combined with a
global economic depression made many countries weak and easy prey for
totalitarian governments.
Answer: Option D
<u>Explanation:</u>
Totalitarian government is that form of government where the rule is in the hands of the state. Private sector has no say in the working of the country at all and all the powers are in the hands of the state.
After the end of world war 1, there was a lot of destruction of infrastructure of Europe and there was depression in the economy and this made the government of those countries taking all the powers for the governing of the countries.
Answer:
the order would be B, D, C, then A
Answer:
B. Coalition
Explanation:
An alliance of two political parties is known as a <em>coalition</em><em> </em>
D.it was not written in the state capital ,i think
Answer:
Langston Hughes was one of the most prolific writers of Harlem Renaissance era. Hughes’s works are best known for the sense of black pride they convey and Hughes’s implantation of jazz into his poetry. In 1926, Hughes wrote the critically acclaimed essay, “The Negro Artist and the Racial Mountain” for The Nation magazine. In this essay, Hughes scolds artists who shy away from their racial identity to satisfy fearful Negros and white audiences. Hughes’s message to white audiences recognizes their interest in black art for means of stereotypical entertainment. Some of Hughes’s most powerful poems, including “I, Too” and “Freedom,” serve as keen evidence of the blasphemous behavior of Negro artists and white audiences of his time.In “The Negro Artist and the Racial Mountain,” Hughes speaks of a young Negro poet who has proclaimed he does not want to be an African-American poet, but instead, just a poet. Hughes associates this comment with the Negro poet meaning he would rather be a white poet and a whiter person. Nina Baym cites the evidence of Hughes’s outspoken protest on this matter, stating, “Early and late, Hughes’s poems demanded that African Americans be acknowledged as owners of the culture they gave to the United States and as fully enfranchised American citizens” (Baym 2027).
Explanation:
