Telluride Bluegrass Festival is an annual music festival in Telluride, Colorado hosted by Planet Bluegrass. Although traditionally the festival focuses on bluegrass music, it often features music from a variety of related genres
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One thing that cannot be associated with romance emerging as a new genre in the Middle Ages was 4 - the use of Latin in its composition.
<h3>What led to the emergence of Romans in the Middle Ages?</h3>
There were several reasons why romance began to emerge as a genre of drama in the Middle Ages in Britain and one of them was a revival of interest in Celtic history and myths. These historical events and myths were often poetic in nature and so enhanced romance as a genre. Added to this was a composition on the history of Kings of Britain and their heroic events and reigns that made romance more popular.
After the Norman conquest of England, the English became more accustomed to the use of French as a language because the Normans were French. The first Romantic plays were made in French thanks to the use of the French language sprucing up the vocabulary the English had for romance. Latin was not used in the composition of romance.
Find out more on Romance in the Middle Ages at brainly.com/question/8757332
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Let me say that too often adolescent girls face intersecting disadvantages because of their age, gender, ethnic background, sexual identity, religion affiliation, income, disability among other compounded factors. We have seen pictures, evoked images of girls in different situations that live with disadvantage, even without crisis. The perception and reality of vulnerability arising out of these multiple intersectionalities really creates that context of discrimination and differentiated impact of crisis.
During conflict or humanitarian situations, natural disasters or climate change, these factors exacerbate and disproportionately and differentially affect young women and girls due to neglect of their human rights and the intersecting forms gender-inequality and discrimination that they endure. So this is how we shine the light on this particular situation of girls in emergencies. As was mentioned, it is often forgotten that women and girls are not only helpless victims, they are sources of power, power to cope, power to prevent, power to reduce risk, power for resilience and transformation and to build back better after crisis. That is the power that we want to invoke and tap into.
We must be outraged about the disadvantages that girls still experience. But here has been some progress. Humanitarian actors and governments are much more aware today about addressing crises and resilience building with a gender lens and with a girls lens. But, we still have miles to go.
Imagine that to date, women and children account for more than 75 per cent of the refugees and displaced persons at risk from war, famine, persecution and natural disasters.
Every 10 minutes, somewhere in the world, an adolescent girl dies because of violence.
Up to one-third of adolescent girls report their first sexual experience as being forced and they are victims of sexual violence. Currently at least 133 million girls and women have experienced female genital mutilation.
<span>The cost of borrowing money is called interest</span>
