Answer:
Gladiatorial contests, like chariot races, were originally held in large open spaces with temporary seating; there is evidence that some munera were held in the Roman Forum, for example. As the games became more frequent and popular, there was need for a larger and more permanent structure. Although the Circus Maximus was often pressed into service because of its huge seating capacity, the Romans eventually designed a building specifically for this type of spectacle (called an amphitheatrum because the seating extended all the way around the oval or elliptical performance area, which was covered with sand, harena). Early amphitheaters, both in Rome and elsewhere, were built of wood, but stone amphitheaters proved to be much more durable; the oldest stone amphitheater, built in Pompeii in the first century CE and seating approximately 20,000, is still well preserved (see also this view through an archway on the upper level, a section of stone seats with staircase, and the exterior walls with stairway). Like Roman theaters, amphitheaters were freestanding; because they did not require natural hills, as Greek theaters did, they could be built anywhere. A remarkable painting from a house in Pompeii depicts the amphitheater. In the tree-shaded area in front, vendors have set up temporary shops to sell food and drinks; the exercise-ground to the right was equipped with a large latrine so spectators could relieve themselves. This fresco depicts a specific event that took place in 59 CE, when a fight erupted between the Pompeians and the neighboring Nucerians (much like modern soccer brawls); in punishment for the riot, Nero imposed a ten-year ban on gladiatorial fights in the amphitheater.
Explanation:
William Penn referred to his colony as a "Holy Experiment" because in his colony people were free to practice any religion they preferred. There were no restrictions and everybody had to live in harmony. Immigration also had no restrictions and people from other places could easily come and settle there.
One day my family ventured out toward the south of France to remain in a house claimed by somebody my Dad worked with. The proprietors visited once in a while however that mid year it was free and we had 10 days booked in there.
Following a long two days out and about we drove down a precarious garage towards a segregated plant bungalow, with the water wheel sat static close by the stone house. There was a profound basement with stone stairs down under the wheel beside the house, and a little waterway circumnavigated the spot.
We went into the house and picked rooms, yet being set down in a little brush, the house was draft and cold from absence of utilization. We settled in and turned the majority of the warming on, yet the house stayed cold and felt soggy. The main night we had set a flame in the lounge room and tuned in to a few book recordings before my sister and I rested. My folks remained up somewhat longer at that point headed to sleep.
Around midnight they both woke up at the very same time, and the way to their room was opening gradually. At first they thought it was my sister until they saw a substantial dim outline of a man encircled in the entryway, standing stock still, simply looking toward them as though evaluating them. After a brief period, the shape turned and began to move, as though fulfilled, and vanished. They took a gander at one another, yet didn't talk, and both returned to rest.
The following morning the house felt warm and dry, and daylight was back through the windows, as though something had lifted, and acknowledged them. They talked the following day and both concurred that in spite of the fact that they were doubters, it couldn't have been something besides something otherworldly in that entryway, choosing their value. If you don't like it i will write something else. Let me know
