Answer: Opera and musical.
Explanation:
The operas and the musical are similar in that they are both performed as musical theater, with a story in which the characters differ and with the aria. Both genres are made up of several songs and music pieces linked by dialogue. In the musical, it is usually spoken while in opera, a recitative is performed in which the exchange takes place in a melodic or musical pattern. Opera tends to sing regularly while sometimes with the musical.
Answer:
A. devices, phrases, or actions that have, over time, become so common that their meaning is immediately apparent.
Explanation:
Dramatic conventions are devices, phrases, or actions that have, over time, become so common that their meaning is immediately apparent.
In playwrights, convention can be defined as a technique used by the actors regularly in a drama in order to make the audience become familiar with and to enable them attach specific meaning to it. Thus, dramatic conventions depicts the nature of a character or an actor in a drama.
<em>Some dramatic conventions which can be employed in dramas are; soliloquy, slow motion, adding narrations, split roles or multiple roles etc. </em>
Answer:
The unique layering technique afforded by oil paint gives the artist greater opportunities. Oil paint has been used on stone and glass since the eighth century. During the early 15th century, Van Eyck and other Northern painters perfect the technique of oil on panel painting. For his style he used glimmering jewels, reflective metals, lush satins and velvets, and even human flesh were each rendered with their own distinctive qualities with such a high degree of naturalism it seemed he had conjured a new artistic medium.
Explanation:
Jan van Eyck is known as an innovator of veristic realism, not only for his meticulous portraiture but also for his stunning panoramic landscapes that appear to recede far into the distance. Predating the naturalistic landscapes of Leonardo da Vinci by over 50 years, paintings such as Saint Francis of Assisi Receiving the Stigmata demonstrate the Eyckian use of atmospheric perspective, and anticipate the later genre of the Baroque Dutch landscape tradition. Jan van Eyck positioned this scene in the rocky mountains of the legend, yet also included a miniature bustling Netherlandish city in the distance using his microscopic painting technique, a common trait of early Netherlandish book illumination and religious paintings. The style of the city's rendering lends credence to the theory of the artist's early career as a miniaturist, as the anonymous "Hand G" of the Turin-Milan hours.
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-Toshino
