I have not read the excerpt myself, but I can give you some tips on detecting the correct conflict. To detect whether conflict is internal or external, consider the way the story is told. If the conflict is interior, it will take place within the mind of a character. If the conflict is external, it will take place physically or verbally between two characters or between a character and some exterior force, such as nature. To figure out who the conflict is taking place between, consider whether the character in question is battling their own mind, feelings, or actions; this would indicate that they are in conflict with themselves. If the subject of their conflict is another character, that would indicate that they are not in conflict with themselves. Hope this helps.
Sonia Nazario is an honor winning writer most popular for Enrique's Journey, her account of a Honduran kid's battle to track down his mom in the U.S. Distributed as a series in the Los Angeles Times.
<h3>What is purpose of the passage?</h3>
At the point when a public emergency emitted in over the detainment of unaccompanied settler youngsters at the line, Nazario got back to Honduras to report an article that was distributed in The New York Times in July.
In her piece, she nitty gritty the viciousness causing the mass migration and contended that it is an outcast emergency, not a movement emergency.
After the article was distributed, she tended to the U.S. Senate Committee on Foreign Relations and gave many meetings to public media, incorporating The Daily Show with Jon Stewart, NBC's Meet the Press, Anderson Cooper 360, and Al Punto with Jorge Ramos.
For more information about Sonia Nazario, refer the following link:
brainly.com/question/24729934
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Answer:
By whome was the chair broken?
Explanation:
have a nice day
The 9 circles of Hell represent sins and the punishments according to the degree of the sin showing his idea of what is most evil.
The way he says God thou judgement is fair after all shows that he accepts that everything is done accordingly.
