A dance producer is working on a modern dance review. The choreographer and the lead dancer have been disagreeing about the dire
ction of the performance. The lead dancer wants to incorporate some original dances he has created, but the choreographer is insisting her vision be followed. Which of the following might a dance producer do to resolve this conflict? hold a meeting with both the choreographer and lead dancer to discuss the issue and work on a compromise that sticks to the choreographer’s vision but incorporates the dancer’s moves
fire the lead dancer and replace him with an understudy
meet privately with the lead dancer and explain that the choreographer’s vision needs to be accommodated while encouraging original dance in future productions
meet with the director and ask that the choreographer be replaced
C: meet privately with the lead dancer and explain that the choreographer’s vision needs to be accommodated while encouraging original dance in future productions
While it may not be correct according to where the question originated from, my first instinct is A. Hold a meeting with both the choreographer and lead dancer to discuss the issue and work on a compromise that sticks to the choreographer's vision but incorporates the dancer's moves.
Explanation:
Again do not have blind faith in me, but this is what seems morally and altogether right to me. As a dancer myself, disagreements can skew a creation.
a technique of neo-impressionist painting using tiny dots of various pure colors, which become blended in the viewer's eye. It was developed by Georges Seurat with the aim of producing a greater degree of luminosity and brilliance of color.
Well the artist David Hockney believed that Johannes Vermer and other used these devices such as the camera obscura to help them achieve their perceptive in achievement
