Answer:
Irrelevant, germane
Explanation:
The options you were given are the following:
- Irrelevant, germane
- Brusque, mandatory
- Digressive, tangential
- Disinterested, impartial
- Melancholy, jovial
When someone is holding a speech, their primary goal is to keep their audience engaged. This is why it's important for them to remain focused only on what they are discussing. When too many topics are involved, it becomes difficult for the audience to follow.
When you're unsure about what a word means, you can look it up in a dictionary - an alphabetically arranged listing of words that contains various information about them, such as their definitions, examples, origin, and pronunciation. This is how you can find the correct answer to questions such as this one.
Words that fit the sentence you were given are <em>irrelevant </em>and <em>germane</em>.
- When something is irrelevant, it's not related to the discussion or topic.
- When something is germane, it is related to the discussion or topic.
According to the lesson, the part of speech is often stressed in iambic pentameter is C. nouns, such as “love” or “truth”
<h3>What is Iambic pentameter?</h3>
It should be iambic pentameter is a type of metric line that is used in traditional English poetry and verse drama. It illustrates the rhythm, or meter, that is established by the words.
The most typical meter used in English poetry is iambic pentameter. On the basis of French and Italian models, Chaucer introduced it to English for the first time in the 14th century. It is utilized in a number of significant English poetry forms, including the heroic couplet, blank verse, and several of the more conventionally rhymed stanza types.
Iambic pentameter is a literary form that was popularized by William Shakespeare, John Milton, and William Wordsworth. It was also utilized by William Shakespeare in his plays and sonnets. Iambic pentameter refers to the five metrical feet in a line of verse, with one stressed and unstressed syllable.
Nouns, such as “love” or “truth” is the part of speech that is often stressed in iambic pentameter.
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Could you give us more information on the question? What book is this from
