Answer:
b) use to
Explanation:
This is because at the beginning of the sentence there is already a past tense "did" so the verb after that would have to be in base form which would be "use to". It's a rule so I can't really explain much.
An epic simile is basically a regular simile, but it takes place over the course of several lines in poetry. There is no evidence in the excerpt provided that the correct answer could be a simile, so we’ll rule that option out.
The phrase starting in medias generally means that it’s a somewhat introduction. It can often introduce the story in the beginning, or be a great start if you want to start your story with a flashback. I’d say this is a good answer for the question, but just in case there’s a better one let’s go over the other options as well.
To invoke the muse would be to get inspiration for whatever it is you’re going to start doing. For example, let’s say you’re writing a story, and you have no ‘muse.’ Here you’d ‘pray to the muse gods’ to give you muse, or in another word, inspiration. This is clearly not the answer because the passage is not invoking any muse. They clearly already know which direction they’re taking with the story.
And finally, the use of epithets would be to specifically describing something and/ or someone. Sure, this passage caries descriptive detail, but that’s not its primary focus.
In conclusion, the correct answer to this question is b ) starting in medias res
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- Marlon Nunez
The answer is onomatopoeia.
Key work; Bleated
<em>Louis XIV of France</em>, also known as <em>Louis the Great </em>or <em>the Sun King</em>, is the ultimate symbol of absolut monarchy. To show his absolute power to the world, he engaged in the construction of the splendid Palace of Versailles, among others. He removed himself and his court from Paris, and move to this new seat of power, where he was the supreme authority in control of everything and everyone.
As an art-lover, he entrusted this work to many artists such as André Le Nôtre, Louis Le Vau, Charles Le Brun and Jules Hardouin-Mansart, and made them clear he wanted Versailles to be a majestic symbol of his absolute power and beauty. The Hall of Mirrors, the central gallery of the palace where 17 windows that overlook the breathtaking gardens reflect on 17 mirrors, summarizes what the Palace of Versailles meant: it exhibits monarchy at its peak.
