Answer:
It could add a more intereasting point of veiw.
Explanation:
Thats all I got sorry
Answer:
Dance Suite
Explanation:
The dance suite was one of the focal musical forms of the Baroque period. Originally, they were made for dancing, but as they progressed in the Baroque era, they were then designed for listening instead, generally during important social functions. As they progressed and evolved out of the dance floor, composers started developing their suites even more complicated (still musically interesting). The Water Music also incorporated dance forms typically found in the Baroque suite. Handel combined and designed both festivity and finesse in perfect ration to retain the royal ear from tiring.
Soundtrack and budget are the answers
Explanation:
Relief sculpture was introduced to the United States by Italian sculptors working on the decoration of federal government buildings during the first quarter of the nineteenth century. Exposure to this art form continued during the next several decades as American sculptors flocked to Italy, a font of artistic tradition and the primary source of inexpensive marble and labor. Thomas Crawford, William Henry Rinehart (1985.350), Edward Sheffield Bartholomew (1996.74), and other American artists built their reputations by producing idealized in-the-round statues for an international clientele while executing portrait busts for steady income. They modeled reliefs less frequently, usually focusing on ideal subjects. They looked not only to the classical past for inspiration but also to Neoclassical sculptors, especially Antonio Canova and Bertel Thorvaldsen, whose crisply treated reliefs enjoyed great esteem in both Europe and the United States
source : https://www.metmuseum.org/toah/hd/amrs/hd_amrs.htm#:~:text=Relief%20sculpture%20was%20introduced%20to,quarter%20of%20the%20nineteenth%20century.
