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Ber [7]
3 years ago
11

The relationship of the professional artist to the class that ruled or aspired to rule was complicated, various and should not b

e simplified. The artist's training however – and it was training which made the artist a professional – taught the artist a set of conventional skills. That is to say, the artist became skilled in using a set of conventions of composition, drawing, perspective, chiaroscuro, anatomy, poses, symbolism. And these conventions corresponded so closely to the social experience – or anyway to the social manners – of the class the artist was serving, that they were not even seen as conventions but were thought of as the only way of recording and preserving eternal truths. Yet to the other social classes such professional painting appeared to be so remote from their own experience, that they saw it as a mere social convention, a mere accoutrement of the class that ruled over them: which is why in moments of revolt, painting and sculpture were often destroyed.
Arts
1 answer:
Paha777 [63]3 years ago
5 0

Answer:

I don't understand er

Explanation:

explain good please

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Answer:

d. all of the above.

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The Grand Mosque, the world's largest clay construction in Djenne, is the inexhaustible source of inspiration for the genre. The city is considered a world heritage site by UNESCO, for the monumental value of its civil constructions with the characteristic style of clay architecture and for being considered an exceptional witness to the pre-Islamic civilizations of the Niger delta interior. Excavations nearby revealed an important page of human history dating back to the 3rd century BC. They brought to light an archaeological ensemble that bears witness to a pre-Islamic urban structure with a wealth of circular or rectangular buildings, as well as a wide variety of terracotta artifacts. and metal that prove the evolution of industrial and craft techniques.

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The Grand Mosque, the world's largest clay construction in Djenne, is the inexhaustible source of inspiration for the genre. The city is considered a world heritage site by UNESCO, for the monumental value of its civil constructions with the characteristic style of clay architecture and for being considered an exceptional witness to the pre-Islamic civilizations of the Niger delta interior. Excavations nearby revealed an important page of human history dating back to the 3rd century BC. They brought to light an archaeological ensemble that bears witness to a pre-Islamic urban structure with a wealth of circular or rectangular buildings, as well as a wide variety of terracotta artifacts. and metal that prove the evolution of industrial and craft techniques.

Marked by the use of clay as a base and finishing material, the buildings blend with the dry landscape. Land, the most abundant and accessible material in nature, has been used since early times for house building, but it was the techniques developed in Mali, added to the aesthetic fluidity, that marked the story, using adobe brick, made of stone. from stepped mud, supplemented with natural components like dung or chopped grass. Sun-dried bricks for two weeks are the basis of the construction, which uses the same material as mortar. Above all functional, Malian architecture is born to perfect man's interaction with the dry, high-wind environment prevalent in the region. Thus, the constructions, besides the creative and authentic expression force, bring complex techniques to adapt to the atmosphere in which it is inserted.

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Question 9 (10 points)
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Answer:

third choice

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