Answer:
i would say the scent coming off of the dollhouse paint and when the author describes it as a slab of tofee
Explanation:
Answer: context clues to help them understand the meaning of an unfamiliar and challenging word. For example, a reader might use the meaning of other words in a sentence or a picture on the page to help them learn the meaning of the unknown word thats the importance ( didnt know how to word it )
Explanation
Answer:
The best transitions to complete the passage includes:
At first;
However;
In addition;
In the end;
Certainly
Explanation:
In “Lather and Nothing Else,” the barber faces the challenge of shaving the enemy, a cruel captain.
At first, he reflects on all the terrible things the captain has done. Then, he explains his internal conflict over whether to kill the captain when he has a chance.
However, he does not believe in murder.
In addition, he takes great pride in his work.
In the end, he controls his emotions and lets the captain live.
Certainly, overcoming his own emotions is his greatest challenge.
"Lather and Nothing Else" is a story by Hernando Tellez.
The story is about a revolutionary barber who has a customer called captain Torres. Captain Torres killed the barber's fellow revolutionaries in trying to suppress revolutionaries.
When captain Torres went to have a shave from the barber, the barber had an internal conflict of whether to revenge by killing the captain or not for all the terrible things the captain has done. But in the end, the barber controlled his emotions and let the captain live.
The passage is completed with conjunctive adverbs
The correct answer is A. This is the case of using comma before a coordinating conjunction <em>and</em> because it links two independent clauses. We can observe that there two parts of this full sentence and each part is independent from each other. Both of them have their own subject and verb. Therefore, we are using a comma before <em>and</em>.
Answer:
B) fixed verse
Explanation:
Fixed verse is a kind of poetry that has its rules where the poem can be built.
