Answer:Breathe” is a paranoid track about running out of time. The repetitive lyrics create a claustrophobic atmosphere complimented by light yet busy electro pop grooves. Despite the song having uncomfortable subject matter that many of us suffer with regularly, this track is not a reminder that life can feel rushed, but more of an assurance that you are not alone. The airy melodies allow listeners to relax and perhaps motivate you to get through the tough stuff
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Answer:
YOU SHOULD MAKE A HOUSE WHEN YOU GROW UP
Explanation: THEY HAVE A BUILD A BEAUTIFUL HOUSE
1. The rights of a photographer revolve around photographing public activities.
2. An ethical photographer is someone who takes public activities and not private events unless he has permission.
3. The First Amendment talks about the freedom of speech which can cover photography only if there was a message that was going to be conveyed to a certain audience.
4. There should be limits to editorial photographs. Not everyone are prepared to look at certain photographs and understand it.
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Answer: dont shade
Explanation: looks good make a new one shaded
Answer:
There is an old question that has entertained the minds of many thinkers who look to art and wonder whether it is a mirror offering a reflection of life itself. Art has the power to evoke the same emotions, thoughts, moral and ethical controversies, and conflicts that we experience in life. Anyone who has had a personal reaction towards a work of art will be in agreement. What is it then about the essence of art and the essence of life that are so unmistakably different? Is it a possibility that art gives humans the opportunity to experience phenomena that are not accessible in quotidian life? Is art merely an imitation of life as Plato once asserted with such conviction, or is art a freestanding sphere in which humans can learn in exceptional ways? Through the deliberation of such questions the artist can perhaps move closer towards understanding his tremendous capacity to illustrate our existence in a distinct and remarkable way.
The Greek philosopher Plato declared the artist to be “an imitator of images and is very far removed from the truth” (Republic X, 27). Plato was certain that art was nothing but a dangerous and shallow imitation of life that served only to draw humans far away from the Truth. This unique concept of ‘Truth’ refers to the idea that the purest existence of any given thing lies not in the physical manifestation of the thing itself, but rather in its invisible and eternal ‘Form’. Let us take an example of a table vs. The Table. Any given table is a table that has been modeled after the eternal form of The Table. Somewhere in an otherworldly domain, alongside all the other eternal forms of the universe, exists the One and Only Table in all its truth, purity, and Tablehood. The carpenter may look towards but not at the Form of the Table (or else the carpenter would be God and at which point probably no longer a carpenter) in order to produce, or ‘mimic’ a lesser yet sufficient model of The Eternal Table. In a similar way the artist can be compared to the carpenter, only deserving of less respect according to Plato. The artist does not look to the Form of Beauty, say, but rather looks to the physical image or projection of Beauty. This removes him even further from Truth than any other ordinary laborer. The artist is in this way an imitator, and art is a ‘mimesis’ or imitation of the visual display of Eternal Forms such as Beauty. Consequently it is Plato’s persuasion that art as a mere impression of life is detrimental to the inner soul and its understanding of righteous Truths.
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