Answer:
Writers often use connotation to create emotional associations that can be either positive, negative, or neutral. Positive connotation. Words that conjure a favorable emotional response. For example, describing someone ambitious as a “go-getter” or someone who is lively and curious as “youthful.” Negative connotation.
Explanation:
Found this on google. Hope this helps.
Explanation:
A trust is a fiduciary relationship in which one party, known as a trustor, gives another party, the trustee, the right to hold title to property or assets for the benefit of a third party, the beneficiary. Trusts are established to provide legal protection for the trustor’s assets, to make sure those assets are distributed according to the wishes of the trustor, and to save time, reduce paperwork and, in some cases, avoid or reduce inheritance or estate taxes. In finance, a trust can also be a type of closed-end fund built as a public limited company.
If you trust someone, you believe that they are honest and sincere and will not deliberately do anything to harm you. ... Your trust in someone is your belief that they are honest and sincere and will not deliberately do anything to harm you.
C. <span>True love is worth overcoming obstacles to attain.
This theme can be summed up in Lysander's line in Act 1 Scene 1: "</span><span>The course of true love never did run smooth". This quote means the same as the theme, the path of true love usually has a lot of obstacles. The other couples in the play face obstacles too and have to get over their fights and disagreements in order to get to the happy ending. </span>
Answer:
There are three types of barriers for the above mentioned question which are as follows:
Explanation:
1.Property barrier
2.Police barrier
3.Construction barrier
At the beginning of the story, Feld, the shoemaker, yearned for his daughter to marry a man with a promising and wealthy future, so she could live a happy life. Later in the story, after two dates between both Miriam (her daughter) and Max (a young student), Feld was told by Miriam that she was not interested in Max, given her materialistic nature. Feld did not understand her reason at the time, but didn't give it much thought.
Near the end of the story, Feld realized Sobel's (his assistant) feelings for her daughter, but wasn't very comprehensive about them, given Sobel's old age and poor living conditions.
While watching Sobel's scorn after having his desires represed and considering Miriam could like Sobel in return, Feld had his epiphany: He grew comprehensive of Sobel's endurance to escape a land at war and to find any humble source of sustain available. Considering this hardship and his efforts to read books to gain interest from Miriam, Feld understood these endeavors were far more attractive and valuable to Miriam than that of a life of riches with Max. <u>Feld learned about humble love.</u>
