Answer:
After completing Hamlet, Shakespeare adopted a more centered, swift, distinct, and non-repetitive writing style. He began to use more run-on lines, uneven pauses and stops, and excessive alterations in sentence length and structure.
Explanation:
The biggest difference between theatre in Shakespeare’s time and theatre today, one that arguably coloured many other aspects of 16th- or 17th-century theatre practice, was that it lacked something modern theatre companies find invaluable: a director. If we define a director as someone who supplies direction – directing the actor’s body and movement as well as his or her inflection, directing the audience’s gaze on the stage, directing interpretations of a text – then the burden for direction in Shakespeare’s day fell on the text and the actor.The actor inevitably became a kind of self-director. This was largely facilitated by the acting practices of the period. Each actor was given not the whole script but only his own ‘part’: his lines along with his cues, which were the last four or five words of the actor who would speak before him. A ‘plot’ of the play – a summary of the entrances, exits and other notable actions – would hang in the tiring house (the section of a theatre reserved for the actors) behind the stage for actors to consult.Rehearsals as we know them today did not exist in Shakespeare’s day either. Actors would memorise their lines on their own, or experienced actors would practise with the younger actors who were apprenticed to them. Often the main actors would sit through a reading of the entire play with the playwright, and the entire company would rehearse the fight scenes and the jigs, which were dependent on precision and timing.
