The correct answer is option B) iambic pentameter.
The meter pattern in these lines from "On Imagination" by Phillis Wheatley is iambic pentameter.
What is iambic pentameter?
Iambic pentameter is a style of meter that specifies the number of syllables used and the emphasis placed on each of them within a line of the poem.
It starts with a small syllable and then moves on to a long or emphasized syllable. Shakespeare's works are excellent illustrations of iambic pentameter.
Also in the poem "Imagination" written by Phillis Wheatley, He talks about the numerous gods and seasons throughout Greek mythology in his poem. Iambic pentameter is used in these lines of the poem.
Learn more about iambic pentameter
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Fiction:<em> </em>A tiger, a lion, or any strong animal will judge us the most. In their eyes, humans would be weak and small. "Our children grow just a bit and then they're on their own. Most humans don't live in packs-we might. Our lionesses and tigers will hunt small things down-just because they all our weak." Says the strong animals. "That baby human is <em>crawling </em>while the others walk on their two! It's so silly!"
Maybe Truth: A tiger, a lion, or any strong animal will judge us the most. In their eyes, humans would be weak and small. They think their children are smarter, stronger, and better. Some will live in packs, like wolves or hyenas. Because of this, they find food from smaller animals. In their language, they might tease us- because of the baby's cry, because of the children's immature-ness, because of the adult's forgetting-ness...
Brainliest?
I rode to my Grandmothers house on the bus
I think that the answer is A: to avoid punishment
In spring of 1846, Edgar Allan Poe (1809849) moved from New York City to his country cottage in Fordham where he wrote "The Philosophy of Composition," an essay that promises to recount the method he used to write his famous poem "The Raven" (1845). In the essay Poe challenges those who suggest that writing is a mysterious process prompted solely by the imagination. Although the it offers a number of precepts for good writing, at the end of the essay, Poe undercuts his step-by-step instructions by insisting that all writing should have an "under-current" of meaning. Because he never demonstrates how to create that "under-current," Poe's essay never completely reveals the process that makes his work so powerful.
