1. King uses his description of segregation as the basis for an argument. What is the central claim of that arguments? What does King ask his audience to do about the situation he describes?
2. What does King mean by "the tranquilizing drug of gradualism"? Why does he warn his audience to resist it?
3. In King's vision, the oppressed do not rise up and crush their oppressors. Why not? How do the details by which he defines his dream fit in with what King tells his audience in paragraphs 6-7 and with his general philosophy of nonviolence?
4. King relies heavily on Figures of Speech throughout his address, particularly metaphor: The nation has given its black citizens a "bad check"; racial injustice is "quicksand"; brotherhood is a "table"; freedom is a bell that rings from the "hilltops". Choose several of these figures that you find effective, and explain how they help King to compare and contrast the "appalling condition" of the past and present with his brighter vision for the future.
Answer:
Under the Wave off Kanagawa
Explanation:
Under the Wave off Kanagawa is a section of the Thirty-six Views of Mount Fuji. Its produce by Hokusai from 1830 to 1833. It is a coloured woodblock print. The print features a look of the mountain (Mount Fuji) with waves and fishing boat. The wave created before crashing down on to a fishing boat in print.
Cave Paintings are considered more because they are art but they also tell the story of them.
<span>The Scream by Norwegian artist Edward Munch</span>
