He has gotten wiser. He's also not as good as he was. He used a weapon with the dragon, but he didn't with Grendel. He knew he was older and slower.
Answer:
D. A remembered landscape
Explanation:
William Wordsworth (1770-1850) is one of the greatest romantic poets of the romantic age. He wrote "Tintern Abbey" in 1798 a few miles above the abbey as the full title of the poem <em>"</em><em>Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798".</em> Wordsworth had previously visited Tintern Abbey in 1793 as a troubled and directionless young man of 23.
In these lines he mentions those five years as a long absence from these beauteous form (abbey landscape). He was not seeing that landscape when writing the poem but contemplating the scenery seen five years ago. According to Wordsworth poetic theory, the poetry is best when its is written by observation, contemplation, and emotions recollected through tranquility.
Wordsworth ideally wants to write about natural scenery long after he has seen and observed it. According to him, this practice removes all the minor and less important things from memory, and only the best of the observations find an expression in the form of words.
The correct answer is A.
The sentence should be written like this: <span>Sadly, even after that water is found, only some of it's clean and safe enough to drink.
Because the sentence is saying "only some of IT IS clean and safe enough to drink," an apostrophe should be used.
</span>
Answer:He realizes that learning to read has only pushed him further into the depths of slavery rather than helped him fight for liberty.
Explanation:
The poem the Cremation of Sam Mcgee would not be a poem if it did not rhyme.
Poetry requires rhyme. It is the art of rhyming that makes any piece of poetry valuable. Beyond this, without rhyme the listeners would be less interested in the story as one of the main assests of this creation is its use of rhyming structure to keep us hooked on the tale.
