Answer:
Line is the most basic design 'tool' on which almost every piece of art relies. A line has length, width, tone, and texture. It may divide space, define a form, describe contour, or suggest direction.
Explanation:
if u need more explanation on lines and types this website is great
https://www.liveabout.com/what-is-line-in-drawing-1123050
Both jasper johns and Robert Rauschenberg were <u>assemblage</u> artists, although the appearance of the final artwork is different, they both used objects that were first created for a different purpose, and re-purposed them into their artwork.
What are assemblage artists?
Art is created by the assembly of several components—oftentimes commonplace objects—that have been either carefully purchased or scavenged by the artist. Assemblage has been used as a method of creating art since Pablo Picasso's cubist creations, the three-dimensional works he started creating in 1912. In art, assemblage refers to a piece created by incorporating commonplace items into the composition. Each non-art object, such as a piece of rope or newspaper, may still retain some of its original identity even though it has acquired aesthetic or symbolic meanings within the context of the entire work.
To learn more about assemblage artists click on the given link:
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Answer:
<em>El filósofo contemporáneo de dicho pensamiento es:</em>
- <em><u>Adolfo Sánchez Vázquez</u></em><em>.</em>
Explanation:
<em><u>Adolfo Sánchez Vázquez</u></em><em> fue un filósofo español (nacionalizado en México) cuya trayectoria del pensamiento tuvo mucho que ver con la forma en la cual la filosofía, los filósofos y las personas en general percibían la estética, algunas de sus obras al respecto fueron: "Las ideas estéticas de Marx (1965)", "estética y marxismo (1970)", y aquella de la cual proviene el pensamiento mencionado en el texto "</em><em>Invitación a la estética (1992)"</em><em>, </em><u><em>en la cual se retrató el concepto de belleza como algo que podía abordarse desde el punto de vista filosófico, superficial e incluso metafísico dependiendo del pensador que lo abordase en un momento determinado</em></u><em>. </em>
