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m_a_m_a [10]
3 years ago
14

In the context of the passage as a whole, the author’s comparison between the qualities of people and of metals (paragraphs 5-6)

primarily serves to
English
2 answers:
givi [52]3 years ago
6 0

Answer:

E. reinforce the author’s overarching claim about ordinary people’s capacity for success

Explanation:

Hope this will help

Vlad1618 [11]3 years ago
5 0

Answer:

E. reinforce the author’s overarching claim about ordinary people’s capacity for success

Explanation:

Answer E

Correct. A base metal is a metal of little monetary value, as opposed to a precious metal like gold. In stating that “from apparently the basest metals we have the finest toned bells,” the author asserts that a material that is considered worthless can nevertheless become the medium for the beautiful sound of a high-quality bell. He notes that people who are not valued by society (“simple manhood,” “dregs of society”) can similarly achieve great things sometimes. He then observes that steel objects and rusty razors can actually improve in quality after being left “neglected and forgotten” in the dirt, reflecting that the most marginalized and maligned of people (“the lowly and despised”) can similarly become agents of “improvement and progress” for the world. The comparison between metals and people thus reinforces the author’s thesis that people who do not seem to possess great talent or many advantages can still achieve extraordinary things (“excellence often comes unheralded and from unexpected quarters”).

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san4es73 [151]

In "Bartleby the Scrivener" by Herman Melville, the author uses imagery to create meaning and emotion.  Imagery can be defined as the use of figurative language or visual representation of ideas, usually those that appeal to our senses, in order to create meaning.  One of the first descriptions of the building where the scriveners work, is a good example of the use of "imagery":

"This view might have been considered rather tame than otherwise, deficient in what landscape painters call “life.” But if so, the view from the other end of my chambers offered, at least, a contrast, if nothing more. In that direction my windows commanded an unobstructed view of a lofty <u>brick wall</u>, black by age and everlasting shade; which wall required no spy-glass to bring out its lurking beauties, but for the benefit of all near-sighted spectators, was pushed up to within ten feet of my window panes."  

This image represents the "obstructed" and "lifeless" view, which also conveys an impossibility to look beyond the <u>brick wall.</u> This uniform, old structure, describes the confined spacial dimensions of the office buildings.  This kind of "dead" modern urban life that does not allow for a bigger picture, and tends to standardize all forms of life.  In this sense, Bartleby and the scriveners, are not only <u>brick wall</u>-like themselves, but are also living in rigid uniform spatial structures.  Another part of the text where the image of the <u>brick wall</u> appears, describes the process in which Bartleby starts to become ever more silent and pale, he becomes like a brick wall himself:

"I remembered  that he never spoke but to answer; that though at intervals he had considerable  time to himself, yet I had never seen him reading—no, not even a newspaper;  that for long periods he would stand looking out, at his pale window behind the  screen, upon the dead brick wall;..."

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3 years ago
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Refer to Explorations in Literature for a complete version of this narrative.
bogdanovich [222]

The correct answer is option three.

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GalinKa [24]

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