Answer:
Expository text gets to the point rather quickly. It is intended as education rather than just narrative text. An example of narrative text is the Excerpt by Charles Dickens which is meant to draw a picture of what this woman was like.
So the last one is out.
The first one talks about volcanoes and how they are classified. That's one of your answers if you are trying for brevety and education.
I think the second one would also be a choice. It is trying to show you the nature of anxiety and what causes it. You learn a lot about symptoms from reading it. It's quick and to the point. Expository? Yes.
I don't think four is exactly expository, but I might be wrong. It sounds too argumentative to be completely expository. It wouldn't be my first choice even though I have read Twain a great deal, beginning in my teens. He always has something pointedly funny to say about the human condition. So it's hard for me not to include him in anything. It's not exactly narrative either. The tough ones are three and four.
Three tries to tell you what it would be like to live in another country. I think it likely is the choice you are looking for.
Answers 1,23. I could be wrong, so if you have a different answer in mind, go with it.
Explanation:
Your answer is A The term iambic pentameter refers to a line of poetry with ten syllables with stress put on every other syllable
Answer:
impossible to perceive
Explanation:
impossible impossible to perceive
Answer:I think it's number 2
Explanation:He is embarrassed because he thinks his fear for chickens is unusual.
In Lord of the Flies, Golding deliberately develops the boys' descent into savagery slowly, as to reveal the dangerous and seductive nature of giving over to base urges and animalistic desires. The boys arrive on the island as proper English school boys, complete in their privage school uniforms and choir togs, but even during their first day on the island, the reader can see how the environment of the island challenges the boys' former preconceptions of proper social behavior. For example, the oppressive heat immediately has the boys stripping out of their school clothes to be more comfortable; in normal society, running around naked would be strictly taboo, but on the island, of course, the boys begin to accept their nudity as a practical matter.
The boys' shedding their clothes is the first major indicator of their transformation into savages, but perhaps the most shocking example of true savagery occurs in Chapter Eight, "Gift for the Darkness," as the hunters ruthlessly and violently hunt and kill the sow. Hunting in itself is not an indicator of true savagery, but the boys' violent actions, exultation, and sheer enjoyment of the brutality during the act suggests that they have completely transformed into violent savages. The boys feel an inherent thrill as they stalk their victim during the hunt and work themselves practically into a frenzy as they jab their spears at the sow. Roger, particularly, derives enjoyment from the sows' shrill squeal as he drives his spear in further. The shocking blood-lust demonstrated by Jack, Roger, and the other hunters not only reveals their true savage natures, but also foreshadows future scenes of death, such as Simon's tragic end
