Answer:
A) by showing three different representations of the same object, thus questioning the nature of representation
Explanation:
<u>A. is the right answer. </u>Joseph Kosuth did composition One and Three Chairs by placing a physical chair, hanging its photograph, and placing dictionary definition of the word <em>chair</em>. <u>By this, he tried to point to the discussion about what </u><em><u>is </u></em><u>actually an object and how different representations can lead to different views of the same thing. </u>He tries to ask us what is the most accurate representation and pointing to us <u>that different representations have different meanings. </u>
<u></u>
B. is not the right answer. Kosuth did not try to point out that the dictionary definition has the same meaning. On the contrary, he tried to say how they have different effects and meanings. Also, there was a photography of the object as well.
C. is not the correct answer. The point was not to show different forms of art as much as to show different meanings and ideas about the same object.
Telecommunications is a field dedicated to systems that transmit data, text, sound and video between users. Telecommunications professionals also maintain the services for these systems, including telephones, internet access, and cable and satellite television.
~I hope this helps!~
Answer:
his print is a Yoko-e, that is, a landscape format produced to the ōban size, about 25 cm (10 in) high by 37 cm (15 in) wide.[10]
The composition comprises three main elements: the sea whipped up by a storm, three boats and a mountain. It includes the signature in the upper left-hand corner.
Explanation:
The mountain with a snow-capped peak is Mount Fuji, which in Japan is considered sacred and a symbol of national identity,[11] as well as a symbol of beauty.[12] Mount Fuji is an iconic figure in many Japanese representations of famous places (meisho-e), as is the case in Hokusai's series of Thirty-six Views of Mount Fuji, which opens with the present scene.
The dark color around Mount Fuji seems to indicate that the scene occurs early in the morning, with the sun rising from behind the observer, illuminating the mountain's snowy peak. While cumulonimbus storm clouds seem to be hanging in the sky between the viewer and Mount Fuji, no rain is to be seen either in the foreground scene or on Mount Fuji, which itself appears completely cloudless