Answer:
Growing up in the early 1800s, P.T. Barnum displays a natural talent for publicity and promotion, selling lottery tickets by age 12. After trying his hands at various jobs, P.T. turns to show business to indulge his limitless imagination, rising from nothing to create the Barnum & Bailey circus. Featuring catchy musical numbers, exotic performers and daring acrobatic feats, Barnum's mesmerizing spectacle soon takes the world by storm to become the greatest show on Earth.
Explanation:
Claudio Monteverdi
He is a composer who bridged the Renaissance period and the Baroque.
Among his most notable works are the operas Orfeo and L'incoronazione di Poppea.
The Artist's Mother exhibits a combination of realism and abstraction that was strongly influenced by Gustave Courbet and Japanese prints.
<h3>Who was James Abbott McNeill Whistler's?</h3>
James Abbott McNeill Whistler (July 11, 1834 – July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail.
The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony.
His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other leading artists and writers.
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There were mentions of them in works of Western Civilization. For example, Mycenaens were described in the Iliad by Homer repeatedly. And the Minoan people were mentioned in the Bible.
