Answer:
i think maybe in 5th grade lol
Explanation:
A draped garment is garment that is made out an entire piece of cloth. It is not cut or fitted in any shape or form like fitted garments are. Many use clips, clasps, belts, sashes or fibulae to tie this together and give shape to the garment, however some rely on friction and gravity alone. Examples of draped garments could be one of the following but are not limited to:
-Cloaks
-Shawls
-Togas
-Stolas
-Chitons
-saris
Or ponchos.
A composite garment are garments that are hung or wrapped around/on the body or object that have folds of characteristics like soft fabric do, they can be tailored and sewn also. They are a combination of drape and tailor methods An example of Composite garments are :
-Capes
-robes (such as bathrobes)
- kimonos
And tunics.
Tailored garments are of course garments that are created through the cutting of the garment/fabric pieces and sewing or fitting them together to be able to fit the body or object. This may be used to fit dresses and suits. Examples of tailor garments include
-anything made to particular specifications or conditions such as
-Shorter arms on a blazer
-bust or other area measurements such as hips
-dresses for special occasions such as wedding dresses (likewise for suits)
Hope this helped
Answer:
450
Explanation:
You didn't provide multiple choice but I found the question online.
:)
With musicals:
Singers only have to worry about one language for the most part: English.
Casting is heavily dependent on the actor's look-the actor must look the role first and foremost. Whether they are the best singer for the role is a secondary consideration. This is changing somewhat with the move by directors and casting people to consider diversity in casting to give minority performers more options for performing, but it will be a long time if ever, before audiences see a black Maria for Sound of Music, or a white Bess for Porgy and Bess.
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With Opera:
Typically sung in a language other than English
The emphasis when casting roles is on the ability of the singer to sing the music in the role, not so much looks. This is changing a little bit due to operas being telecast more than they have been in the past, but overall, casting tends to be mostly color blind (unless the role specifically calls for a particular racial makeup, like the roles in Otello-but that isn't very common)and not as particular regarding the age of the singer.