In schools stuff like nationality or race or if the shooter was originally from that school or had a reason to hate the school and wanted to get revenge and make themselves feel better. People can also be on drugs and not know what they're doing.
Answer: The theme of adolescence
Explanation:Themes. `On Turning Ten' via way of means of Billy Collins uniquely offers the subject matter of childhood. It is likewise a “coming of age” poem that talks approximately the intellectual and bodily modifications in the course of the juncture among adolescence and teenage. ... In this way, the poet illustrates the topics of childhood and “coming of age” in his poem.
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`On Turning Ten` through Billy Collins uniquely offers the topic of formative years. It is likewise a “coming of age” poem that talks approximately the intellectual and bodily modifications at some stage in the juncture among adolescence and teenage. When the poet became ten, matters commenced to extrade round him. His adolescence international regarded to crumble in a flash of a second. The enthusiasm and spontaneity of creativeness diminished farfar from the ten-year-antique Billy Collins. He can do not forget how the whole lot became superb and had a radiance of heavenly light. The poet notion he had internal his mortal skin, besides light. It is a metaphorical connection with the religious charisma internal a toddler`s soul. In this way, the poet illustrates the issues of formative years and “coming of age” in his poem.
There also are a few essential issues like frame vs thoughts and actual self vs imaginary self withinside the poem. These matters seem internal a toddler whilst he steps into his teenage years. The conflict begins offevolved whilst the kid begins offevolved to find out the ones diffused modifications internal his frame.
Antigone and Ismene, the daughters of Oedipus, discuss the disaster that has just befallen them. Their brothers Polynices and Eteocles have killed one another in a battle for control over Thebes. Creon now rules the city, and he has ordered that Polynices, who brought a foreign army against Thebes, not be allowed proper burial rites. Creon threatens to kill anyone who tries to bury Polynices and stations sentries over his body. Antigone, in spite of Creon’s edict and without the help of her sister Ismene, resolves to give their brother a proper burial. Soon, a nervous sentry arrives at the palace to tell Creon that, while the sentries slept, someone gave Polynices burial rites. Creon says that he thinks some of the dissidents of the city bribed the sentry to perform the rites, and he vows to execute the sentry if no other suspect is found.
The sentry soon exonerates himself by catching Antigone in the act of attempting to rebury her brother, the sentries having disinterred him. Antigone freely confesses her act to Creon and says that he himself defies the will of the gods by refusing Polynices burial. Creon condemns both Antigone and Ismene to death. Haemon, Creon’s son and Antigone’s betrothed, enters the stage. Creon asks him his opinion on the issue. Haemon seems at first to side with his father, but gradually admits his opposition to Creon’s stubbornness and petty vindictiveness. Creon curses him and threatens to slay Antigone before his very eyes. Haemon storms out. Creon decides to pardon Ismene, but vows to kill Antigone by walling her up alive in a tomb.
The blind prophet Tiresias arrives, and Creon promises to take whatever advice he gives. Tiresias advises that Creon allow Polynices to be buried, but Creon refuses. Tiresias predicts that the gods will bring down curses upon the city. The words of Tiresias strike fear into the hearts of Creon and the people of Thebes, and Creon reluctantly goes to free Antigone from the tomb where she has been imprisoned. But his change of heart comes too late. A messenger enters and recounts the tragic events: Creon and his entourage first gave proper burial to Polynices, then heard what sounded like Haemon’s voice wailing from Antigone’s tomb. They went in and saw Antigone hanging from a noose, and Haemon raving. Creon’s son then took a sword and thrust it at his father. Missing, he turned the sword against himself and died embracing Antigone’s body. Creon’s wife, Eurydice, hears this terrible news and rushes away into the palace. Creon enters, carrying Haemon’s body and wailing against his own tyranny, which he knows has caused his son’s death. The messenger tells Creon that he has another reason to grieve: Eurydice has stabbed herself, and, as she died, she called down curses on her husband for the misery his pride had caused. Creon kneels and prays that he, too, might die. His guards lead him back into the palace.
Answer: 1st is the answer
Explanation:
