Hello. This question is incomplete. The full question is:
He sang of Hrothgar, hoarfrost white, magnificent of mind. When he finished, the hall was as quiet as a mound. I too was silent, my ear pressed tight against the timbers. Even to me, incredibly, he had made it all seem true and very fine. Now a little, now more, a great roar began, an exhalation of breath that swelled to a rumble of voices and then to the howling and clapping and stomping of men gone mad on art. They would seize the oceans, the farthest stars, the deepest secret rivers in Hrothgar’s name! Men wept like children: children sat stunned. It went on and on, a fire more dread than any visible fire. –Grendel, John Gardner Then a bench was cleared in that banquet hall so the Geats could have room to be together and the party sat, proud in their bearing, strong and stalwart. An attendant stood by with a decorated pitcher, pouring bright helpings of mead. And the minstrel sang, filling Heorot with his head-clearing voice, gladdening that great rally of Geats and Danes. –Beowulf: A New Verse Translation, Seamus Heaney These passages from Beowulf and Grendel describe feasts in Hrothgar’s hall. Write three to four sentences comparing and contrasting how the people are characterized in each passage. Use details from the text to support your answer.
Answer:
In Grendel's passage people are frightened and terrified. That's because Grendel is a terrible monster that attacks them with violence causing great destruction and sadness. In addition, this passage describes Beowulf and his warriors as wild men, loud as crazy after the party's music, as if they were totally out of control.
In Beowulf's passage, we can see that people are more hopeless and hopeful, because Beowulf means a possibility to end the suffering that Grendel causes. In addition, this passage describes Beowulf and the warriors in a very calm and behaved manner during the party, in stark contrast to Grendel's passage.
<span>In these two stories or literary novels"Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing "who are both authors or wordsmiths, Maureen Daly and Doris Lessing" uses a theme, subject, or topic matter of their characters or dramatis personae who are wanting to prove, validate, and justify themselves to someone. However, the differences, distinctions ,or variation of these two stories or literary novels becomes starkly useless , entirely obsolete, and exhaustively and consummately kaput when who or whom the two characters or dramatis personae aspire to prove, validate, and justify themselves to. In "Sixteen" by Maureen Daly the principal character, main character, or dramatis personae seems to be attempting or trying really and truly hard to prove, validate, and justify herself to the reader, that she is insightful and perceptive enough and popular enough to congruous be telling this story or literary novel. But in "Through the Tunnel" Jerry attempts or tries really and truly hard to prove, validate, and justify himself to the older, mature looking men he looks up to and withal to himself. Throughout each story or literary novel, the characters or dramatis personae attempt or try to prove, validate, and justify something to themselves or other people or characters. In Doris Lessing's short story or literary novel"Through the Tunnel"" by Doris Lessing" the principal character, main character, or dramatis personae who or whom we can apperceive or apperceive as Jerry opportunely accommodated or made acquaintance himself with a group of older, mature looking men hanging around in a wild-looking bay, cove ,or estuary full of rocks. These two completely and totally different short stories or literary novels "Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing are both chock full of kindred spirits predicated on the absolute fact that both characters or dramatis personae attempt </span> <span>or try to prove, validate, and justify something to someone, but they are different because those someones are different in these two stories or literary novel. While both stories or literary novels are starkly different in subject, theme ,or topic matter that both principal characters, main characters, or dramatis personae attempt or try to prove, validate, and justify themselves to someone. In "Sixteen," by Maureen Daly it is the reader. In the story or literary novels "Through the Tunnel," by Doris Lessing it is the older, mature looking men and later himself that makes Jerry to push past his inhibitions and fears and conquer or overcome them . The second homogeneous or same attribute or kindred characteristic between the two stories or literary novels is that the people or characters who had transpired to repeal the principal characters, main characters ,or dramatis personae which of course whom never present themselves again, are the leading cause that prompts both characters or dramatis personae in these two stories or literary novels by of course being ostentatious with their earnest and veracious and genuine general and exhaustively simply authentic and true feelings and motivations all throughout these two stories or literary novels.</span>
Internel should be internal, diesil should be diesel, combinasion should be combination, presurised should be pressurized, eficiently should be efficiently.
<span>The connotative meaning of sky is “limitless." The sky is limitless for a bird who has freedom.
The connotative meaning of narrow is “limited.” The narrow cage is limited/restrictive for a bird who's caged.
The connotative meaning of dreams is “hopes and desires.” Even though caged, the bird still hopes and dreams for his freedom.
The connotative meaning of shadow is “who a person once was.” The shadow refers to what the bird once was, free and unconfined.</span>
