A dog can learn many new tricks if they are given proper training
Answer:
One central idea of the story is young love and how it powerful it can be at giving hope so Option A is a quotation that represents that: "The soul of her youth clamored for its rights; for a share in the world's glory and exultation."
Explanation:
The story The Locket by Kate Chopin revolves around the love between her and Edmond. She had gifted him a locket with a picture of her parents and Edmond believed it brought him luck on the battlefield. Octavie believes that Edmond is dead because her locket was found on a dead soldier. Octavie's grief also seems to be because her relationship with Edmond was not formal and that in some way her rights to love him were being denied in the scene when she is with Edmond's father (reinforced by his authority as a judge): "Octavie felt a little hurt; as if he wished to debar her from share and parcel in the burden of affliction which had been placed upon all of them."
1) "... the distance of Hawaii from Japan makes it obvious that the attack was deliberately planned many days or even weeks ago... [during which] the Japanese Government has deliberately sought... [false] hope for continued peace."
2) "The attack yesterday on the Hawaiian Islands... American ships have been reported torpedoed..., [and] yesterday the Japanese government also launched an attack against Malaya.. Last night Japanese forces attacked the Philippine Islands..."
The first excerpt shows that Japan gave the US a false sense of hope by saying they are reigning in their expansions and hope to continue to have peaceful relations with the United States. The second excerpt then shows what Franklin was talking about, in that they used the 'guise of peace to backstab the US in hopes of continuing their expansion eastward.
The correct answer is D. The audience knows something the character or the characters don't.
This is a pretty common literary technique used in plays and its usage goes as far back as Ancient Greece. This is especially noticeable in tragedies where the audience knows what is being plotted while the main characters do not.
