Answer:An example of folk music being used for conservative, rather than radical, political ends is shown by the cultural activities of Edward Lansdale, a CIA chief who dedicated part of his career to counter-insurgency in the Philippines and Vietnam..
Explanation:
Basically any high school aged kid that’s involved with drama and/or theatre at their high school. they’re weird & awkward in basically everyone’s opinion, even mine : ) . but i hope that helped.
An overture is an introductory section to an opera or oratorio. It is an orchestral piece at the beginning of an opera, which gives <span>introduction to the </span>musical<span> work.
</span>The first significant use of a full-scale overture, however, was made by Jean-Baptiste Lully<span>, in works such as his opera </span><span>Thésée.</span>
Answer:
1) to emphasize how dangerously packed the streets are
2) to highlight the idea that Caesar suffers from illness
3) to suggest that Caesar will soon be put to death
<h2><u>Answer:</u></h2>
DAVID SMITH is an American sculptor(1906– 1965), he created metal figures that have affinities with the Abstract Expressionist movement in painting. He figured out how to weld in a vehicle plant in 1925 and later connected to his art the technical ability in dealing with metals he picked up from that experience.
Also, working in huge scale at the industrial facilities helped him picture the potential outcomes for the stupendous metal model. In the wake of trying different things with an assortment of sculptural styles and materials, Smith made his Cubi series in the mid-1960s.
These works, for instance, Cubi XIX, comprise of simple geometric structures solid shapes, barrels, and rectangular bars. Made of stainless steel areas heaped on each other and afterward welded together, these expansive scale models put forth a striking visual expression.
Smith included gestural components reminiscent of Abstract Expressionism by shining the metal with steel fleece, creating abstract looking examples that attract attention regarding the two-dimensional of the sculptural surface.
