Sometimes it may be hard to understand the old English Shakespeare uses. Hearing the words out loud can make the sentances sound clearer and flow better. Even try readong the parts in different voices to make it fun!
<span>All of the following are good examples of "big rocks" EXCEPT C. working out at the gym.</span>
The statements that correctly contribute to the theme that insistence on physical perfection often leads to emotional harm are;
- "'Then why did you take me from my mother’s side? You cannot love what shocks you!'"
- "Aylmer’s somber imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana’s beauty, whether of soul or sense, had given him delight."
The two statements, culled from The Birthmark by Nathaniel Hawthorne, show individuals who are troubled because of insistence on physical features. In the first sentence, the woman Georgina wonders why her husband Aylmer will marry her when the birthmark on her face shocks him. She is deeply angered by this.
In the second sentence, Aylmer is so invested in a birthmark that he feels troubled. These two experiences indicate that an insistence on physical features can cause emotional harm.
Learn more here:
brainly.com/question/11843610
The answer would be letter D. The active voice states the doer of the action, the action and the receiver of the action.
<span />
Porphyria's Lover is a dramatic monologue that tells us the speaker's thoughts.
There is no conflict resolution: the poem ends with Porphyria dead by her lover's hand. No one has come upon them by the end of the poem and he has not been punished. What happens after this scene ends is unresolved.
There is no dialogue, either. The speaker of the poem tells us that Porphyria "calls" the speaker, but he does not relate her exact words. There is no dialogue in the poem.
Finally, there are no formal stage directions. The speaker does describe several actions happening during the poem -- as when the speaker tells us he strangles Porphyria with her hair -- but we do not have formal stage directions as one would get in a play.
