Answer:
The correct answer is: few adjectives.
Explanation:
<em>The sun was going down and looking up along the bank as we drove I saw the Austrian observation balloons above the hills on the other side dark against the sunset.
</em>
<em>In this excerpt, Hemingway uses few adjectives to create the image of the observation balloons moving. The adjectives he used are representing to the audience the vivid picture of the balloons above the hills, by using adjectives as Austrian observation and other side dark.</em>
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Answer:
jnfjkdhnc
Explanation:
nfkesfjrc kjhfiuawe oi3urie c ihrutwerh xdjkfgwe8 iuwfiuhvef ihguiwgrei
The words from the excerpt that evoke a sense of uneasiness are:
<h3>What is a Mood?</h3>
This refers to the general atmosphere of a text as evidenced by the use of words and the attitude of the writer.
Hence, we can see that from the given excerpt, there is the narration of a woman and how surprised she was when someone asked if she was all right and this is shown in the words "strange", "surprised", and "jumped".
Read more about mood here:
brainly.com/question/760210
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Lord Paradox refers to the situation when a new continuous covariate is added to the study, the link between a continuous outcome and a categorical exposure is inverted.
<h3>What is a paradox in literature?</h3>
When there is a statement that contradicts itself but still retains an element of truth, it is called a Paradox.
An example of a paradox is:
"Social distancing"
To be social, it is better done from a proximal place, hence the contradiction.
Learn more about paradox at;
brainly.com/question/17731343
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African mythology covers a vast area. The African continent includes so many countries, regions, languages, tribes, cultures and crossovers that the sheer diversity of prevailing Gods would seem overwhelming if there weren’t a few handy shortcuts.
Traditional African belief is overwhelmingly monotheistic. There may be spirits and ancestors floating around, but there’s only one God. Early missionaries made a complete pig’s ear of their research in this respect and seem to have delighted in cataloging as many ‘heathen’ Gods as they could possibly get away with.
African Creator Gods seem to follow a distinctive pattern — they are all extremely dissatisfied with their creations. There is much shaking of heads, turning away in sorrow and avoidance of contact. The humans are left to fend for themselves. Attempts to regain contact with their God by building a heavenly ladder are the subject of many an unhappy legend. On the whole, African Gods don’t like to be pestered, and humans have to learn to be content with their lot.
But while God sits in Heaven wringing his hands in despair, the ancestral spirits are very willing to take an active part in Earthly life. These are mostly into hunting and other practical subjects — with food, sex and booze as popular as always.
There is a remarkable innocence about the Gods of Africa. They seem naive and unworldly, believing the best of everyone and optimistically giving the benefit of the doubt to all and sundry. No wonder they are rudely disappointed when it turns out their badly-chosen favorites are up to no good.
Even communicating with their creation is full of problems. Vital messages of life and death are entrusted to whichever farmyard animal happens to be passing, and the resulting garble is likely to have profoundly unforeseen — and usually disastrous — consequences...
Please mark Branliest. I need it.