The way the article contrasts traditional advertising with more recent advertising is by showing how different they are and how their roles have changed in recent times.
Your question is incomplete but I will try my best to give you a general answer that will help you.
The major difference between traditional advertising and more recent advertising is that<u> </u><u>recent advertisement</u><u> is more compelling and has a wider reach than </u><u>traditional advertising.</u>
Traditional advertising is a type of advertisement that was used in the past to try and convince people to buy a particular product or service.
Recent advertising has to do with more modern techniques of adverts where pathos, ethos, and logos are employed in a more aggressive manner to draw customers.
Read more here:
brainly.com/question/22675875
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
<span> </span>
The question is incomplete and the full version can be found online.
Answer: The paragraphs make an emotional plea to the audience to honor King's legacy by avoiding violence.
Explanation:
The question refers to "RFK’s Speech Following the Death of MLK" (1968) by Senator Robert F. Kennedy.
In paragraphs 3-4, Kennedy acknowledges how angered African Americans must feel because of Martin Luther King´s assassination. Given that it was most likely a hate crime committed by a white person, the then-Senator claims to understand their justifiable desire of revenge and violence seeming like the only option. However, he pleas for them and all the American people to honor King's legacy by avoiding violence, as his life effort was to gain rights through peaceful protest.
Have you been to college?
