Answer: The sentences in this excerpt from John Barth's "Lost in the Funhouse" that show the postmodern element of self-reflexivity are 3) Initials, blanks, or both were often substituted for proper names in nineteenth century fiction to enhance the illusion of reality and 4) Interestingly, as with other aspects of realism, it is an illusion that is being enhanced, by purely artificial means.
Explanation: Self-reflexivity is a recurring element in postmodern literature. <u>Self-reflexivity consists in including passages or statements which aim to reflect about the language itself and the process of writing</u>. In that way, it functions as a literary device and <u>it focuses on dealing with the manners of composition</u>. In sentence 3, the author makes reference to literary strategies of the nineteenth century and, in sentence 4, he alludes to the writing process of realist writers.
Answer:
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Answer:
The run on sentence here is, "Sprained ankles are common injuries for athletes, a sprain may not even need treatment."
Explanation:
A run-on sentence happens when two or more independent clauses are fused incorrectly. There are two types of run-on sentences. There are fused sentences and comma splices.
A fused sentence transpires when independent clauses work collectively with no signs of punctuation or correlating conjunctions to distribute them. A comma splice befalls when two or more independent clauses are linked exclusively by a comma.
When talking about, "Sprained ankles are common injuries for athletes, a sprain may not even need treatment." The part that is wrong here is the comma before "a." This is wrong because this is a massive voice missue.
The comma would mean to take a pause, which is a missue in human beings voice.
To correct this you would put a period for a full stop in that sentence and continue with the subject afterwords.
"Sprained ankles are common injuries for athletes. A sprain may not even need treatment.
You subsitute the comma with a period and make the lowercase an uppercase A.
