Answer:
A screen director does not relinquish control on opening night in the way that a stage director does. The director remains in control of pace, structure, builds and reactions as he or she works with the cinematographer and editor to stitch together a disparate collection of shots, score, sfx, cgi, audio, etc into a whole movie. The pauses, builds, responsiveness to an audience that actors read and manage on stage are the business of the director in a screen production. Once the actors have gone home there is still major work to do before it reaches the audience.
Answer: any technology involving components of both sound and images, even though the image or images may not move
in early film, an artist trained to apply life-like color to black and white images captured on film; today, an artist who works to integrate the various colors on a film for continuity during editing
a single image from film or video. When many are added together and displayed at 24 frames per second, they create the perception of motion
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